PopMatters ponders The Death of Serious Science Fiction:
[Science Fiction has] been dominated for decades by a single storytelling dynamic. Instead of reaching for intelligence and stretching the boundaries of imagination, it decides to take hoary old clichés, lots of narrative formula, and one man’s F/X laced legacy, and completely rewrite the rules of acceptability. Where once the speculative spectacle questioned the existence of man within the cosmos, today it’s all Westerns with robots.
In the last four decades (leaving everything before the ’60s out of the equation for the moment) there have only been eight serious sci-fi triumphs—movies that readily define what one means by a thought provoking, inventive approach to speculative subject matter. In conjunction with the equally important TV triumphs of The Twilight Zone, The Outer Limits, and The Star Trek Saga (including all recent TV incarnations), this influential octet – Planet of the Apes, 2001: A Space Odyssey, Soylent Green, Close Encounters of the Third Kind, Brazil, Dark City, The Matrix, and most recently, Children of Men – represent real attempts to address the category’s myriad of issues and possibilities. Scattered among this collective are intriguing also-rans like Silent Running, Solaris, Blade Runner, Gattaca and A.I.: Artificial Intelligence. While some may argue for a missing favorite—Alien, The Fifth Element, I, Robot—there is a significant reasons why these movies fall outside this discussion, primary among them, their lack of an inherent allegorical nature.
[via Big Dumb Object]