Y: The Last Man was a 60 issue comic by Brian K. Vaughan and Pia Guerra beginning in 2002. It starts with every male mammal on Earth dying horribly, all at once, and without explanation. All except two.
Yorick Brown is an aspiring escape artist with a Capuchin monkey named Ampersand. He’s in the middle of proposing to his girlfriend Beth over the phone (she’s in Australia) when the event happens. Yorick’s mother is a congresswoman, who now has an even more urgent interest in the well-being of her son. So under the protection of the lethal Agent 355, Yorick sets out to find cloning expert Dr. Alison Mann, who may be the world’s only hope. But all Yorick wants to do is get back together with Beth.
The series had a rather wide scope as it explored the misadventures of Yorick and his impact on the world at large. Some social-political realities of a unisex world were explored, such as the fact that majority of the surviving US lawmakers are Democrats, or that the only country with a functioning military is Israel. There are also a ninja, Cosmonauts stranded in orbit, religious fanatics and (in one memorable storyline) a dominatrix. Conspiracies and hidden agendas abound. Every character has a back-story rife with secrets. There were plotlines about what happens to male-dominated religions when the females remain true to their faith, how the transgendered adapt to cope with the new world, and what art might look like in a female-only society. It was a truly compelling series, with a unique set of characters and a staggering spectrum of motivations. Not exactly post-apocalyptic, and not exactly dystopian (depending on your definition of both), it was in turns heartbreaking, hilarious, thought-provoking, and terrifying.
And, I say again, it has a monkey.
Cardona’s film is near pitch-perfect when it comes to introducing the main characters. I especially like the portrayal of Yorick’s sister Hero (yes, their parents were English majors), a truly likable supporting character who falls with a seriously bad crowd after the event happens. The film preserves Vaughan’s script style and ear for dialog, so much so that it got me in the mood to go back and start rereading the whole series, which is (of course) available in trade paperback.
Take a look at the video: