Alan Baxter is a Ditmar Award-nominated British-Australian author living on the south coast of NSW, Australia. He writes dark fantasy, sci-fi and horror, rides a motorcycle and loves his dog. He also teaches Kung Fu. He is the author of the dark urban fantasy thriller novels, RealmShift and MageSign, and over 40 short stories which have appeared in a variety of journals and anthologies in Australia, the US, the UK and France, including the Year’s Best Australian Fantasy & Horror. Read extracts from his novels, a novella and short stories at his website – www.alanbaxteronline.com – or find him on Twitter @AlanBaxter, and feel free to tell him what you think. About anything.
Genre definitions are always very slippery things. I was recently asked by the wonderful folks here at SF Signal to take part in a Mind Meld. It was a pleasure, as I’ve always enjoyed reading those thought-provoking posts. The subject we discussed was The Intersection Between Gothic Horror and Urban Fantasy and the subsequent answers really gave me pause for thought.
The concept of the question, based on this year’s World Fantasy Convention theme of “Northern Gothic and Urban Fantasy”, is that Urban Fantasy represents the new Gothic; castles and haunted locations have been replaced by the Modern City. There was a lot of variation in the responses and I realised it was largely due to the definition of urban fantasy being considered. Many people didn’t think there was a connection between gothic and urban fantasy, which really surprised me. Among those who thought urban fantasy might well be born from gothic horror, there was an implication that it’s somehow lighter in tone, or that it needs to have a romantic element or female lead to be urban fantasy. Are any of those things true?
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