We have an additional entry on our Mind Meld on Disabilities in Speculative Fiction, from Nebula Award winning author Vylar Kaftan!
Sarah Chorn’s highly successful Special Needs in Strange Worlds column…the recent Kaleidoscope anthology…the upcoming Accessing The Future anthology… Fiction focusing on discussions of disabilities, different abilities, special needs and different needs are increasingly important in the speculative fiction community.
With that in mind, here’s what I asked our panelists:
Amy Herrick is a graduate of the Iowa Writers’ Workshop. Every morning, she and her dog take a long walk in Prospect Park looking for adventure. They’ve seen and heard many wondrous things there, some of which have served as inspiration for this story. The Time Fetch is her first book for young readers. Learn more at AmyHerrick.com.
Amy was kind enough to answer a few of my questions about how the The Time Fetch came into existence, her love of folklore, and what she’s working on next!
[Thanks to Algonquin Young Readers, we have three copies of The Time Fetch up for grabs -- check the bottom of this post for details about the give away!]
ANDREA JOHNSON: Your brand new book is The Time Fetch. Can you tell us what the story is about?
AMY HERRICK: The Time Fetch is a modern-day winter solstice fairy tale. It also has some elements of mythology and science fiction which crashed the party without an invitation.
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I know the big news lately is the Hugo Awards (congrats to all the winners by the way!), and we all know it’s called Worldcon because it moves around the World. But what if you live in the US, and international travel isn’t an option for you? Don’t worry, we got you covered. When Worldcon is outside the United States, a lucky US city gets to hold NASFiC, our National Convention. In July of this year, NASFiC was held in Detroit Michigan, and some of the organizers were kind enough to chat me about what NASFiC is all about, their commitment towards diversity, and how to get involved in NASFiC and other conventions.
(Don’t live in the US? no problem. More and more countries have National Science Fiction Conventions that move from city to city within that country. Australia has NatCon, the UK has EasterCon, Finland has FinnCon, Poland has PolCon, New Zealand has their NatCon, Sweden has SweCon, and even though I’m sure I missed plenty, I bet you get the idea.)
The recent NASFiC that was held in Detroit was called DetCon1, and it boasted over 1400 attendees, with Guests of Honor Steven Barnes, Nnedi Okorafor, John Picacio, Helen Greiner, and the musicians Bill and Brenda Sutton, among others. The Golden Duck award for excellence in children’s speculative fiction was also presented at DetCon1 for Middle Grade and YA fiction. Wow, that’s a lot going on, isn’t it? Shall we get to the roundtable with Anne K. Gray (Diversity Facilitator), Tammy Coxen (Con Chair), Christine Humphrey (Volunteer Coordinator) and Anna O’Connell (Volunteer Co-Coordinator)? Yes, lets!
Andrea Johnson: DetCon1 was a NASFiC. What’s NASFiC, when does it occur, and how is the location decided?
Australian author Yolanda Sfetsos can be described as a wife, mother, writer, bibliophile, dreamer, animal lover, and lover of supernatural and all thing horror related. She was kind enough to take some time out of her busy schedule to talk with me about her current science fiction romance series Recast, NaNoWriMo, how far e-publishing has come, and her other series. You can learn more about Yolanda by visiting her website, or following her on twitter as @YolandaSfetsos or Goodreads.
Let’s get to the interview!
AJ: You’re currently working on your Recast series, the first two of which (Wither and Clash) are being reprinted from Samhain publishing. Tell us a little about this series, and what types of plot lines readers can expect. From reading the synopses of the novels, I know my first question is “What’s a ‘recast'”?
REVIEW SUMMARY: A highly satisfying read, this third (out of four) book in Philip’s Rebel Angels series gets us one step closer to the dissolution of the veil that separates our world from the Sithe world. Meanwhile, Seth is trying to keep his clan safe and his son Rory out of trouble, and not succeeding with either.
PROS: Excellent characterization; well paced plot; Philip’s writing is sure to get an emotional reaction out of the reader as she builds on the previous installments in the series.
CONS: Change in character POVs and jumps between 1st person and 3rd person POV can be jarring; readers new to the series are not advised to leap right in at this volume.
BOTTOM LINE: While much Urban Fantasy hasn’t thrilled me, Philip’s Rebel Angels series easily defines everything I want out of an Urban Fantasy novel. If you’re in need of an UF palate cleanser and enjoy adventures into the Fae realm, this might be just the thing.
For those of you new to this multi-generational urban fantasy series, here’s a very quick and simplified recap of the story so far:
These summer days have me feeling nostalgic for the summers of my youth, when I’d ride my bike to the local library for another stack of paperbacks. It was experiences like that that helped make me a reader for life.
With that in mind, I asked our panelists this question:
Here is how they responded…
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Earlier this month, my husband and I attended Anime Midwest, in Chicago. As the name implies, the majority of guests, panels, and activities had a connection to Japanese anime shows and movies, Japanese culture, and Japanese fashion. Special guests included voice actors Caitlin Glass, Sonny Strait, Greg Ayres, Alexis Tipton, and Johnny Yong Bosch, the famous Japanese fashion brand Baby the Stars Shine Bright, and a number of independent fashion designers. There were also steampunk and comedy based musical guests, gaming experts on hand, webcomic artists and authors, and Japanese weaponry experts. If I listed all the panelists and other guests, you’d still be reading this column three hours from now
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REVIEW SUMMARY: Clarkesworld Year Six includes all 34 original pieces published in Clarkesworld Magazine during their sixth year. If you’re looking to get caught up on Clarkesworld, you can’t beat their yearly volumes.
PROS: Large variety of voice and style; good mix of famous writers and newer voices; includes many excellent examples of speculative fiction that pushes the boundaries; stories can be read in any order.
CONS: None. One of the strongest collections I’ve read in a long time.
BOTTOM LINE: This collection is jam-packed with Nebula and Locus award winners and Hugo nominated works. Well worth the money for that alone.
Skimming the table of contents of Clarkesworld Year Six, you’re going to recognize a lot of titles. The fiction that Clarkesworld published in their sixth year includes Nebula and Locus winners and nominees, Hugo nominees, and stories included in Gardner Dozois’ Years Best Science Fiction, Jonathan Strahan’s The Best Science Fiction and Fantasy of the Year, and Rich Horton’s The Year’s Best Science Fiction and Fantasy. So it easily goes without saying that the 34 stories included in Clarkesworld Year Six are some of the best of the best.
You already know who New York Times bestselling author Greg Cox is, but you might not know it. If you’ve read the novelization of the recent Daredevil, Man of Steel, Godzilla, Ghostrider or Underworld films, you’ve read a Greg Cox novel. Beyond those, he’s written in the Batman, Buffy The Vampire Slayer, Iron Man, Xena, Terminator, X-Men, among other universes, and over 14 Star Trek novels. Greg is an expert, he’s been doing this for over twenty years! And he was kind enough to answer a few of my questions about his newest novelization of the recent Godzilla movie, the movie tie-in industry, and more!
Let’s get to the interview!
Andrea Johnson: About a week after reading your novelization of Godzilla, I went and saw the movie. Your novelization expanded many portions of the film, including extra introductory material, and further development of side characters. When writing a novelization, how do you know what areas you can expand on, and when to “stick to the script”?
Greg Cox: In general, the studios prefer that you stick to the script in terms of the overall plot and dialogue, but there’s often room to flesh out the characters and fill in more of their backgrounds, especially with the supporting characters who might not get as much screen time and development as the leads. On Godzilla, I also had the advantage of seeing early drafts of the scripts, including scenes that were cut or shortened in the final movie.
Samit Basu is a writer of books, films and comics. His first novel, The Simoqin Prophecies, published by Penguin India in 2003, when Samit was 23, was the first book in the bestselling Gameworld Trilogy and marked the beginning of Indian English fantasy writing.
Samit’s other novels include Turbulence, Resistance, Stoob, and Terror on the Titanic. Turbulence was published in the UK in 2012 and in the US in 2013 to rave reviews. It won Wired‘s Goldenbot Award as one of the books of 2012 and was superheronovels.com’s Book of the Year for 2013. All five of Basu’s novels have been Indian bestsellers.
Samit was kind enough to answer a few of my questions about his new novels, being a trendsetter within Indian publishing, and more!
Where did the time go? It’s hard to believe that 2014 is half over. With that in mind, I asked our panelists this question:
Remember last month when this column hosted a roundtable of people who had recently attended their first convention? Well, I got so many responses that I had to split the roundtable into two parts. And what a variety of responses I got! A Blogger who had a blast at Eastercon, Stargate and Star Trek fans meeting actors and writers, a first adventure at BEA and more! Here’s what I asked everyone:
Q: Tell us a little about the first convention you attended. Why did you choose this one to be your very first con? Did it meet your expectations, and if not, what changes would you like to see at future events? is this a convention you’d attend again?
and here’s what they said:
Writer Dave Elliott is a constant innovator in the world of comics, with a long career as a writer, artist, editor, publisher and IP developer. He was kind enough to answer a few of my questions about the development of his newest creation The Weirding Willows, the DeviantArt community, changes he has seen in the comics industry over the years, and more!
James Morrow is the author of the World Fantasy Award-winning novel Towing Jehovah, the Nebula Award-winning novella Shambling Twards Hiroshima, and the New York Times Notable Book Blameless in Abaddon. His recent novels include the Last Witchfinder, hailed by the Washington Post as “literary magic”, and The Philosopher’s Apprentice, which received a rave review from Entertainment Weekly. Morrow lives in State College, Pennsylvania.
After reading Morrow’s newest novella, The Madonna and The Starship, I was brimming with questions for him! Read on, as we discuss the evolution of the new novella, how Science Fiction finds a balance between logical positivism and theism, home movies, The Lord Of The Rings lesson plans, his soon to be released Darwin epic, and more!
Andrea Johnson: The Madonna and the Starship deals with themes you’ve touched on before: organized religion, humanism, atheism, and satire thereof. I’d like to know what made you decide to set this newest novel in the 1950s and give it a pulpy scifi twist?
James Morrow: I imagine I’ll go to my grave obsessed with embarrassingly large philosophical questions, conducting the discussion simultaneously in my head and on the printed page. It’s all so mysterious, this business of being a person with a private consciousness. None of the respectable answers satisfy me.
Greg Egan was born in 1961. Since the early ’80s he has published twelve novels and more than fifty short stories, winning the Hugo Award for his novella “Oceanic” and the John W. Campbell Memorial Award for his novel Permutation City. He lives in Perth, Australia.
Greg took a few minutes to chat with me about his recently completed Orthogonal trilogy, how easy and fun it is to mess with the laws of physics, e-book bells and whistles, Karen Burnham’s book on his works, and more. Famous for his hard science fiction, he has supplemented many of his works with additional material that is available on his website.
Let’s get to the interview!
Q: The world of the Orthogonal trilogy followed different laws of the universe that we do. For example, for Yalda and everyone on her planet, the speed of light isn’t a constant. What kind of research did you do to make sure the changed laws and new math would be consistent as the story progressed?
Stew. Beer. Earl Grey, Hot. I *know* there are more interesting science fiction and fantasy foods out there! With that in mind, here’s what we asked our panelists:
Here’s what they said…
One of the reasons I enjoy writing this column is that I hope someone who is reading it, who has never been to a convention before will decide to go to one, be it a fan run scifi and fantasy convention, a writers conference, a large scale trade show (like BEA), a ComicCon, or any other kind of genre and/or fandom convention.
Everyone has to start somewhere, and with that in mind I e-mailed a few friends and put a call out on twitter to get in touch with people who had attended their first convention within the last year.
Here’s the questions I asked:
And here’s the first batch of responses!
REVIEW SUMMARY: The second book in Stephanie Saulter’s ®evolution series answers many (but not all) of the questions readers were left with at the end of the first book, Gemsigns, gives us a lot of background information Aryel and Zavcka, and opens a new plotline that will get readers excited for the next book in the series.
BRIEF SYNOPSIS: The Gems are now legally equal to the norms, but society has a long way to go. Aryel’s foster family visits the city for medical advice for her brother’s crippling disease, and Sharon Varsi is investigating a strange theft involving out of date genestock. Meanwhile, Zavcka Klist is rebranding her company in an attempt to start a partnership with the Gems she is responsible for creating and then nearly destroying.
PROS: Touches on important political issues; a great balance between good pacing and a well-developed ensemble cast; plot is emotionally gripping.
CONS: Handling of one of character’s special ability is heavy-handed; sometimes it’s hard to tell who the characters in the flashbacks are.
BOTTOM LINE: Some books are good, some books are even great. This one is important.
In a recent guest post here at SF Signal entitled We Need Fiction to Tell The Truth, author Stephanie Saulter more so uses the column to talk about how too many people allow their discomfort, fear, or ignorance to color their interactions with others who have physical, mental, or cognitive disabilities, but the column’s title itself is a perfect summary of so much of what she touched on in Gemsigns, and now in Binary. Gems (genetically modified people) may not look like us, but they are just like us. Does this sound familiar? This is the same line we raise (or should be raising) our children with: that person may not look like you (different skin color, or different culture, or is in a wheelchair, or is deaf, etc.), but they are just like you. Needing fiction to tell the truth, indeed. Before you start worrying about a “message” novel, Saulter isn’t trying to make readers feel guilty or feel bad. She’s showing us what can happen when we do finally remember that we are all in this together, that it’s not “us vs them”, because we are all “us”.
Be it stand alone comics or an ongoing storyline, everyone enjoys a good webcomic. But I need some new ones to follow and explore. With that in mind, I asked our panelists this question: