Nicole Galland is the author of: The Fool’s Tale, Revenge of the Rose, Crossed: A Tale of the Fourth Crusade and I, Iago. After growing up on Martha’s Vineyard and graduating with honors from Harvard, she divided most of the next 16 years between California and New York City before returning to the Vineyard to stay. During those 16 years she variously made her living in theatre, screenwriting, magazine publishing, grad-schooling, teaching, temping, and random other enterprises. She is the co-founder of Shakespeare for the Masses, a project that irreverently makes the Bard accessible to the Bardophobics of the world.
SF Signal is delighted to have the opportunity to talk with Nicole Galland, author of one of the seven authors of the group-authored trilogy The Mongoliad. She takes time out with us to talk about the evolution of The Mongoliad concept, the delights of cross-country composition via Skype, and how both a methods of writing and storylines evolve over time.
SF SIGNAL: How did the idea of The Mongoliad originally develop?
NICOLE GALLAND: My understanding is that the guys wanted to create a story set in the 1300′s as a screenplay (it was to be called Gallowglass), and somehow that evolved in reverse chronological order to the tumultuous events in Europe, 1241. As that shift was happening, they decided to pursue technological innovation in the way the story was deliverable in non-book form.