We turn our attention to book cover art this week. A good cover can mean more sales for a book…but what makes a good cover? We asked this week’s panelists this question:
Q: It’s generally well accepted that a book cover’s primary responsibility is to sell the book. But artistically speaking, what makes a successful sf/f/h book cover? Which recent sf/f/h books had a cover that blew you away?
Here’s what they said…
was an award winning architect before punting and becoming an illustrator. Happy mucking about with both computers and oil paint, Dave’s SF work is heavily influenced by sci-fi film noir. Dave’s recent client’s include Baen Books, Tor, Random House, Lucasfilm, Harlequin-Gold Eagle, Solaris, Harper Collins, Pyr, Midway Games and Vivendi Universal. See his work, clients, and ramblings at www.daveseeley.com
OK… honestly, I don’t see that many book covers because I’m reading tons of sf and f book manuscripts to then DO their covers…. so when I take a break, I don’t typically head off to the bookstore…. BUT, by way of homework for Mind Meld, this morning I stopped into my local Borders, and spent some time taking a look. In the end, I learned that I should do this more often, just to stay in touch with my market. First off, clearly I need to be doing more hot-babe-w-weapon +/- tattoo images, because clearly that’s half the market nowadays. (pic one)… Now I like those jackets as much as the next id-controlled red-blooded male…but if that is the context, then things that are NOT-context tend to stand out in my quest for “blew you away.” Also, I’ve learned to be leery of my id’s attraction to cover art, in that sometimes there’s a “honeymoon period.” Anyway… I decided to go hunt in the wild for these, and not just open my latest Spectrum, because a) I didn’t want to be filtered through the Spectrum judge panel, and b) I think that book design and type solution are critical to what makes a successful book cover…. and Spectrum doesn’t show me that. I even diligently wrote down all the designers names so I could credit them, and then promptly left it on the last shelf for the Border’s custodial staff, while snapping iPhone pics. I think that type/cover design is like parenting, where it can nurture, showcase and enhance the art if attended to diligently with an insightful light touch, and so easily frak it up otherwise.
So anyway…Here’s what I came up with…
Two, right off the bat by Greg Manchess. He does exceptionally good figure work (full figured?) with a perfectly spartan but juicy brushwork and fairly unfettered backgrounds…everything I do NOT do…hmmm.. Next up came Scott Fischer’s Titans of Chaos, with a beautifully rendered heroine in a levitation trance…. really exploring the boundaries of her image crop in an unconventional way. I also love Scott’s whimsical ornamentation and color use…