San Diego Comic-Con attracts between 125,000 to 140,000 attendees over a four-day weekend, whereas the World Science Fiction Convention draws anywhere from 4000 to 7000 attendees over a four-day weekend, depending on location. SDCC stays in one city and operates with a fairly stable staff structure from year to year, while Worldcon changes cities and staff lineups every year and is essentially a wholly volunteer, fan-organized effort. The two are almost impossible to compare, but we asked this week’s panelists:
Q: What are the lessons that Comic-Con and Worldcon can learn from the other? Is there in fact a generational migration of professionals and fans that are choosing to attend large, catch-all media cons like SDCC instead of Worldcon, and if so, why?
Read on to see the responses…
Executive Editor Diana Gill runs Eos
, the science fiction and fantasy imprint of William Morrow. She is the editor of New York Times
bestselling authors Kim Harrison and Vicki Pettersson. Other authors with whom she has worked include Mario Acevedo, Jonathan Barnes, Trudi Canavan, Anne McCaffrey and Elizabeth Ann Scarborough, Mary Stewart, Karen Traviss, and Margaret Weis and Tracy Hickman.
For the first time this year, I went to the San Diego Comic-con instead of Worldcon. I’d never been to Comic-con before, and while I’d been warned, the scale is truly beyond belief and has to be seen to be believed, from the hordes waiting to enter, the lines for anything and everything, and the mass of people and exhibits to the sheer spectacle.
Unlike Worldcon, attendees are younger–primarily teens up to 40s-somethings, including numerous families–and of all races.
And the joy and energy and excitement of the attendees reminded me of the first con I ever went to-a tiny Star Trek con outside of Philly, simply because it was there-where everything was new and so exciting and cool. I’m not ashamed to say that I had an absolute blast-being a geek is truly celebrated and welcomed there, and every turn had something fabulous to look at or explore. In the first couple of hours I saw Adama from Battlestar Galactica, amazing (and horrifying costumes), and ran into several people and authors I didn’t expect to-tons of fun!
What can Worldcon learn from Comic-con? Ignoring budgets, which simply cannot be compared, having a fixed location, timeframe, and many of the same staff and volunteers each year means Comic-con can focus on attracting stars (of all sorts), building their presence in re publicity/exposure/attendance, and constantly improving the overall experience (for example, selling all of the attendance badges beforehand, thus shortening the entrance lines), rather than having to start from scratch every time. Further, Comiccon’s constant location and timeframe makes it much easier for attendees to plan (and budget) for, versus the constantly shifting Worldcon (which this year was in Montreal and next year is in Australia).