Tag Archives: Adrian Tchaikovsky

MIND MELD: Secondary Characters Who Take Center Stage

[Do you have an idea for a future Mind Meld? Let us know!]

Protagonists and antagonists get lots of spotlight in novels, but sometimes the most intriguing characters are the minor ones, the ones that briefly grace the stage and depart, leaving the main characters to their business.This week, we asked our panel about the most iconic of fantasy creatures:

Q: What minor characters in novels and stories have caught your interest, and want to know more about? What characters in your own work have gathered unexpected interest, and you’d like to write from their point of view?

This is what they said…
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[GUEST POST] Writing About Race in Science Fiction and Fantasy (Part 2 of a Roundtable Interview)

Dear SF Signal Readers,

Hi! My name’s Zack Jernigan. I conducted this roundtable interview over the last year. Just so you know, I wrote a long, painfully self-conscious introduction about my upbringing as a white, heterosexual male born into a middle-middle-class family and how that contributed to my desire to start a discussion on the subject of Writing About Race in Sff Literature, but I scrapped it. When you’ve received such amazing responses from your interviewees, it’s best to get to them with the minimum of words.

So: Suffice it to say, this is an important topic for discussion. I hope that you enjoy reading part 2, below (Part 1 is here), and that you’ll feel free to comment. I also encourage you to visit the authors’ websites and buy their amazing work.

And enjoy!


Writing About Race in Science Fiction and Fantasy

A Roundtable Interview with David Anthony Durham, Aliette de Bodard, Adrian Tchaikovsky, and Ken Liu
(Continued from Part 1)

Q: There is a greater deal of “non-western” science fiction and fantasy being published-successfully-right now. As a result, a sense of excitement about reading and writing works that celebrate a wider range of skin tones and cultural influences appears to permeate the current discourse. Do you think we’re seeing a permanent shift in the sff literary culture, or do you think the possibility exists for it to once again restrict itself to certain perspectives?
David Anthony Durham

Permanent shift. In some ways it feels like a rapid shift, but there’s no going back. A few years ago, when I first began going to cons, there were a handful of writers of color that been around for a while-Octavia Butler, Samuel R. Delany, Steven Barnes, Tananarive Due, Nalo Hopkinson, and a few others. It was a short list, and it didn’t take long to rattle through it.
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[GUEST POST] Writing About Race in Science Fiction and Fantasy (Part 1 of a Roundtable Interview)

Dear SF Signal Readers,

Hi! My name’s Zack Jernigan. I conducted this roundtable interview over the last year. Just so you know, I wrote a long, painfully self-conscious introduction about my upbringing as a white, heterosexual male born into a middle-middle-class family and how that contributed to my desire to start a discussion on the subject of Writing About Race in Sff Literature, but I scrapped it. When you’ve received such amazing responses from your interviewees, it’s best to get to them with the minimum of words.

So: Suffice it to say, this is an important topic for discussion. I hope that you enjoy reading this first part, that you’ll return for the second, and that you’ll feel free to comment. I also encourage you to visit the authors’ websites and buy their amazing work.

And enjoy!


Writing About Race in Science Fiction and Fantasy

A Roundtable Interview with David Anthony Durham, Aliette de Bodard, Adrian Tchaikovsky, and Ken Liu

Q: Is there an advantage to approaching the subject of race in science fiction and fantasy literature, as opposed to approaching the subject in mimetic (“mainstream” or “mundane”) fiction?
David Anthony Durham

I hope so.

Personal point of reference on a limitation of mimetic fiction… My first two novels were mainstream works about African-American history. Readers that picked up those books did so because they wanted to read about race and slavery. They went in knowing the material would be difficult, and most of them probably believed that ruminating about our racial history is relevant for modern day. That’s great, but it means a limited readership. What about reaching more folks-including folks that don’t think they’d be interested in reading about race?
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