Mark W. Tiedemann has been publishing science fiction since 1986. In 2000, Mirage, an Asimov Robot Mystery, appeared, first of a trilogy in Asimov’s Robot City universe, followed by Compass Reach, Metal of Night, and Peace & Memory, all part of the Secantis Sequence. Compass Reach was short-listed for the Philip K. Dick Award, and 2005 novel Remains was short-listed for the James Tiptree Jr. Award. Mark has also worked as a professional photographer. In 2005 he was elected president of The Missouri Center for the Book, the state affiliate of the Library of Congress Center for the Book. During his tenure, the organization was instrumental in the establishment of Missouri’s first State Poet Laureate position. In 2011, Mark retired from the Center. He is represented by the Donald Maass Literary Agency.
It’s Not About the Buttons
From time to time I have this conversation, usually after having spent an inordinate amount of time trying to get a computer to work properly (or at all):
“You know, for a guy who writes science fiction, you are a real technophobe.”
Or Luddite, depending on how angry I am at the machine in question.
On its face, it’s a fair criticism. But the fact is, I’m not a technophobe. I love technology. Part of my early attraction to science fiction was because of the cool machines. Computers, spaceships, robots, all that marvelous, labor-saving, sometimes-menacing, awesome high-tech hardware appealed to a latent modernist sensibility. Far from phobic, my difficulties with operating technology stems from a basic impatience with the internal workings of just about any mechanical device, and in this sense, yes, programming a computer, and all the related minutiae of operating it, equates to mechanical devices.