Long Hidden is a speculative fiction anthology about marginalized groups of people in history, edited by Rose Fox and Daniel José Older and published by Crossed Genres Publications in early 2014.
The introduction of the anthology begins with this:
Before Long Hidden was a book, it was a conversation. Really, it was many conversations, over the course of many different lives; these fed into one conversation in particular, a back-and-forth on Twitter in December 2012 about representations of African diasporic voices in historical speculative fiction, and the ways that history “written by the victors” demonizes and erases already marginalized stories. That discussion became an idea that became the book you’re about to read.
We grew up reading stories about people who weren’t much like us. Speculative fiction promised to take us to places where anything was possible, but the spaceship captains and valiant questers were always white, always straight, always cisgender, and almost always men. We tried to force ourselves into those boxes, but we never fit. When we looked for faces and thoughts like our own, we found orcs and deviants and villains. And we began to wonder why some people’s stories were told over and over, while ours were almost never even alluded to.
So, as you might have gathered, Long Hidden is an anthology meant to tell the stories of marginalized people in history (in speculative fashion). The setting varies, as well as the particular marginalized group, though the time period seemed to be most often between the 1600s and the 1800s. I’ll highlight a few of my favorites here.
You can follow Rachel S. Cordasco on her bookish adventures at Bookishlywitty.blogspot.com and Bookriot.com. She is a huge fan of robot stories.
Robot Uprisings had been floating in my peripheral vision for a couple of months before I finally picked it up, but man am I glad that I did. Filled with androids and Roombas, service bots and “minids,” this eclectic and wide-ranging anthology offers us many possible worlds in which humans and their mechanical creations fight, love, outsmart, and kill one another. And if that doesn’t entice you, then allow me to name a few of the contributors: Hugh Howey, Cory Doctorow, Daniel H. Wilson, Nnedi Okorafor, Robin Wasserman, Ernest Cline.
That’s right. And with many of these stories originally written for the anthology, we have in Robot Uprisings fresh, often frightening, stories from some of the best scifi writers at work today. Thus we have stories about killer robots, rogue AIs, “ascended” AIs, and spider-like fuel-pipeline sentinels. In some stories, the robots/androids remain mostly offstage, having already thrown off their shackles, as it were, and attacked the human societies that produced them (“Lullaby,” “Eighty Miles an Hour,” “Executable,” “Human Intelligence,” “We Are All Misfit Toys,” “Small Things”). Others imagine how such an attack might begin (“Complex God,” “Seasoning”). And then there are those stories that offer a less threatening view of our mechanical friends, who might joke around with their sysadmins or even care for a baby (“Epoch,” “The Robot and the Baby”).
Maurice Broaddus and Jerry Gordon, co-editors of the Bram Stoker and Black Quill nominated Dark Faith anthology series, are turning to Kickstarter to fund their latest partnership, Streets of Shadows. The new anthology promises to blend the best of crime and urban fantasy.
Maurice and Jerry sat down with contributors Kevin J. Anderson, Seanan McGuire, Brandon Massey, Kristine Kathryn Rush, and (not surprisingly) themselves to talk about blurring genre lines and getting away with murder. You can support their Kickstarter by clicking here.
In episode 221 of the SF Signal Podcast, Patrick Hester chats with Travis Heermann and John Helfers about their new kickstarter anthology Cars, Cards and Carbines.
Editor John Joseph Adams has launched the website companion for The Apocalypse Triptych, a trio of anthologies he’s co-editing with Hugh Howey being released in stages starting next year.
Here’s what the anthologies are about:
Edited by acclaimed editor John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction, exploring three different facets of the form:
THE END IS NIGH: pre-apocalyptic stories—exploring the world on the brink of collapse. (Forthcoming June 2014)
THE END IS NOW: apocalyptic stories—exploring the end of the world as it happens. (Forthcoming December 2014)
THE END HAS COME: post-apocalyptic stories—exploring life after the end of the world. (Forthcoming June 2015)
THE APOCALYPSE TRIPTYCH will include stories by authors such as Paolo Bacigalupi, Seanan McGuire, Ben H. Winters, Elizabeth Bear, Scott Sigler, Robin Wasserman, and many more. Additionally, each volume will include a brand new story by Hugh Howey set in the world of his bestselling novel Wool.
Don’t want to risk missing out on news about THE APOCALYPSE TRIPTYCH? Sign up for John Joseph Adams’s free newsletter (sent out no more than once or twice a month) to receive updates about THE APOCALYPSE TRIPTYCH, as well as news about his other editorial projects.
Like John’s other anthology websites, the site for The Apocalypse Triptych will be loaded with tons of great content, like:
John Helfers is a freelance writer and editor based in Green Bay, Wisconsin. During his sixteen years working at the packaging company Tekno Books, he edited more than fifteen short story anthologies for DAW Books, Inc., and more than one hundred others for publishers in all genres. He also worked with well-known authors and co-editors such as Charlaine Harris, Mercedes Lackey, Margaret Weis, Jean Rabe, Robert Silverberg, and Kevin J. Anderson. John has also published more than forty short stories in anthologies such as If I Were An Evil Overlord, Time Twisters, and Places to Be, People to Kill. His media tie-in fiction has appeared in anthologies, game books, and novels for the Dragonlance®, Transformers®, BattleTech® and Shadowrun® universes. He’s written fiction and nonfiction, including a novel in the first authorized trilogy based on The Twilight Zone™ television series, the YA novel Tom Clancy’s Net Force Explorers™: Cloak and Dagger, the original fantasy novel Siege of Night and Fire, and a history of the United States Navy. Recent projects including overseeing the second Elemental Masters anthology with Mercedes Lackey, and working with Esther Friesner on the next Chicks in Chainmail anthology. In his spare time, he’s signs on to Kickstarter projects he believes in while trying to write several projects in the middle-grade and adult genres.
The Brave New World of Publishing, or How the Cars, Cards & Carbines anthology and Kickstarter project came about
Or, How the Cars, CARDS & CARBINES Anthology and Kickstarter Project Came About
by John Helfers
This is my first foray into Kickstarter as a co-editor, indeed, as part of any project. For that, I can thank Travis Heermann, whom I’ve known for several years, ever since I acquired his novel Heart of the Ronin for Five Star’s Science Fiction and Fantasy line, and have enjoyed his work ever since.
I’ve also had a front-row seat to the changes that have been happening in publishing over the past several years, from the rise of e-books and self-publishing to the various permutations and machinations large publishers have gone through in response. Unfortunately, there have been casualties in this brave new world, and one of them is anthologies.
Don Pizarro has been subsisting on red-eyes and gallows humor for forty years. His writing has appeared at McSweeney’s Internet Tendency, Crossed Genres, Reflection’s Edge, the anthologies Rigor Amortis and Cthulhurotica, and other places. He lives in upstate New York where he pushes paper, plays with knives and Filipino fighting sticks, and is a non-skating official for the local roller derby league. You can find him on his website Warm Fuzzy Freudian Slippers and on Twitter @DonP.
Don is the editor of the excellent Bibliotheca Fantastica. (See our review.)
Now, Don sits down for a light chat about the project.
Haralambi Markov: In order to discuss Bibliotheca Fantastica, it’s necessary for the readers to learn more about the project in question. Please explain to us in your own words what Bibliotheca Fantastica is and what does Bibliotheca Fantastica as a title hold?
Don Pizarro: Bibliotheca Fantastica is an anthology of stories about the nature and the power of this construct we call “the book.” Each story explores these issues by using elements of the fantastic. In that sense, the title is descriptive of itself as an artifact, and of the contents within.
Julia Rios writes all sorts of things, hosts the Outer Alliance Podcast (celebrating QUILTBAG speculative fiction), and is one of the three fiction editors at Strange Horizons. Her fiction, articles, interviews, and poetry have appeared in Daily Science Fiction, Apex Magazine, Stone Telling, Jabberwocky, and several other places. She’s half-Mexican, but her (fairly dreadful) French is better than her Spanish.
Kaleidoscope: A Diverse YA SF and Fantasy Anthology
by Julia Rios
I’ve always been interested in promoting diversity in the SF field. I’m a bisexual woman of color, so in some ways, that’s a purely selfish drive. I want to see myself reflected in the stories I read. But it’s not limited to that; I also want everyone else to have the chance to see themselves, and I want to see stories about people who aren’t like me. This is why I am so excited about the book I am co-editing with Alisa Krasnostein.
In episode 206 of the SF Signal Podcast, Patrick Hester welcomes Mary Robinette Kowal, John Joseph Adams, Matt Forbeck and Tobias Buckell to talk about kickstarters in general and the new Help Fund My Robot Army: an anthology of improbable, futuristic, magical & alternate-world crowdfunding projects.
In episode 204 of the SF Signal Podcast, Patrick Hester sneaks into an unused programming room to chat with the editor, publisher, and several contributing authors of the Beyond the Sun anthology, out from Fairwood Press.
REVIEW SUMMARY: Eclectic, passionate and layered. Don Pizarro has an excellent eye for fascinating short fiction, which fully appreciates the magic imbued in books and the manners in which it shapes our lives, both directly and indirectly.
BRIEF SYNOPSIS: Twenty tales launch to create their own personal mythos centered around the notion books carry power, which can change people, the world and the characters’ personal reality. Bibliotheca Fantastica serves as a haven to nurture diverse concepts, plots and tropes in support of its central theme. There’s something for everyone as the saying goes.
PROS: Each story offers its own interpretation of the central theme; subtle work as well as more head-on approaches are represented; imagination and creative freedom are king.
CONS: An absence of harmony and cohesion between the individual pieces contribute to a more chaotic reading experience.
BOTTOM LINE: A guaranteed treat for the readers who are infatuated with books as physical objects as the stories help you rediscover why you fell in love with the written word and the act of reading in the first place.
Historically and culturally, books have always possessed power. Whether they denote high birth as literacy often did in the past, serve as vessels for the word of gods or preserve mystical rituals and incantations for the next generation of witches, books are the first, long-lasting imprint upon history. Encyclopedias catalogue human knowledge, journals document human lives and ledgers reveal the development of human logic. Now that the paperback has infiltrated just about every household and become, in a way, ubiquitous, the luster has worn off to a point, but books remain an object of power to those who, since early childhood, understand the potential for a good book to alter their reality.
You may have noticed my absence from SF Signal lately – lets face it, you’ve missed me. And I’ve missed you! But I promise I haven’t been idle in my absence. In fact, I’ve been working on the coolest project I’ve ever been involved in. I am the Project Creator and Acquisitions Manager of the exciting KAIJU RISING: Age of Monsters anthology, brought to you by Ragnarok Publications. KAIJU RISING: Age of Monsters features 19 authors and includes a foreword by New York Times bestselling author Jonathan Maberry and an afterword by Jeremy Robinson, author of the popular kaiju novel Project Nemesis. We’re running a campaign over at Kickstarter in order to fund the anthology and as I write this we are at 80% of our funding goal in just over a week.
One of the coolest things that has come from running the KAIJU RISING: Age of Monsters campaign has been making connections with all these other cool projects. One such project is the monster-building, city-crushing card game RARRR!!, from APE Games.
“In RARRR!!, players build monsters (kaiju), each with its own set of terrifying powers. Then they battle each other until only one monster remains to rampage through the city! Cities are worth victory points, and the player with the most points at the end of the game wins! Strategy is required in every aspect of the game, from building the monster that best suits you to drafting power cards (see the gameplay video below for details on how to draft) to picking which cities to battle for.”
In a cross promotional effort Kevin Brusky of APE Games has set aside some of his precious time to conduct a two-way interview. In Part One I will pose to Kevin questions about his totally awesome game RARRR!! and in Part Two Kevin will perform the role of interrogator and get the scoop on KAIJU RISING: Age of Monsters.
A new David Gemmell tribute anthology is coming from NewCon Press in October.
From the press release:
‘LEGENDS’ ANTHOLOGY TO CELEBRATE THE LIFE AND WORK OF ACCLAIMED FANTASY AUTHOR
This year sees the fifth running of the David Gemmell Awards for Fantasy, and to mark this special occasion a new anthology, ‘Legends‘, will be released from NewCon Press. Newcon is one of the UK’s most acclaimed independent presses, and will be releasing ‘Legends‘ at the end of October.
‘Legends‘ gathers together a collection of tales from modern fantasy authors paying homage to the work of one of the greatest fantasy writers of all time, David Gemmell. Gemmell passed away in 2006, and was the author of 30 novels, including his highly successful debut Legend and classics such as Waylander and Morningstar. The ‘Legends’ anthology features new stories from a host of the field’s leading talent, including Joe Abercrombie, James Barclay, Storm Constantine, Tanith Lee, Juliet E McKenna, Anne Nicholls, Stan Nicholls, Jan Siegel, Adrian Tchaikovsky and many more.
‘Legends‘ will be launched as part of the World Fantasy Convention at Brighton’s Metropole hotel on the 31st October, the same day as the David Gemmell Awards for Fantasy prizegiving ceremony. Many of the authors included within the anthology will be on hand to sign the book at the event, as well as cover artist Dominic Harman.
Ian Whates, Publisher and Editor at NewCon Press said: ‘As a long-standing fan of David Gemmell’s work, I was thrilled when asked to compile and edit an anthology in his honour. The book was a pleasure to work on and the response from authors very gratifying; there are some great stories in here, as there would have to be to justify putting David Gemmell’s name on the cover.’
Stan Nicholls, Chair for the Gemmell Awards said: ‘The really gratifying thing about Legends is that some of the most accomplished writers in the fantasy field have so freely given their time and talent to the project. We’re immensely grateful to them, and genuinely excited by the prospect of publishing what we believe will be an outstanding anthology.’
For more information on ‘Legends‘, visit www.newconpress.co.uk or for more on the Gemmell Awards for Fantasy, visit www.gemmellaward.com.
Alex Dally MacFarlane lives in London, where she is pursuing a MA in Ancient History. When not researching ancient gender and narratives, she writes stories, found in Clarkesworld Magazine, Strange Horizons, Beneath Ceaseless Skies, Shimmer and the anthologies The Mammoth Book of Steampunk and The Other Half of the Sky. Poetry can be found in Stone Telling, Goblin Fruit, The Moment of Change and Here, We Cross. She is the editor of Aliens: Recent Encounters, out in June 2013 from Prime Books, and The Mammoth Book of SF Stories by Women, due out in late 2014.
Kristin Centorcelli: Alex, will you tell us a bit about yourself and your background? Have you always wanted to be a writer?
Here’s a stylish trailer for Glitter & Mayhem: The Speculative Nightclub Anthology, a book that was successfully crowd funded:
REVIEW SUMMARY: 8 standout stories + 24 good stories – 3 stories mediocre or worse = a collection on par with previous editions.
BRIEF SYNOPSIS: Editor Gardner Dozois’ picks for the thirty-five best stories of 2011.
PROS: 30 stories worth reading, 7 of which were outstanding. Being exposed to new writers and a rapid-fire stream of ideas as compared with novel-length stories.
CONS: 3 stories didn’t strike me as qualifying for “best”.
BOTTOM LINE: A valuable anthology providing a snapshot of the year 2011 in sf.
Why, yes, I am way behind in my short fiction reading, thank you!
The Year’s Best Science Fiction: Twenty-Ninth Annual Collection is the 2012 edition showcasing editor Gardner Dozois’ picks for the thirty-five best sf stories of 2011. The newest edition (See also my reviews of previous editions: #19, #20, #21, #22, #23, #24, #25, #26, #27 and #28) is about on par with previous editions, which is to say that some stories are more enjoyable than others. But the benefit of short fiction goes deeper than overall quality; it is the exposure to new ideas, new writers, and new writing styles coming at the reader faster than happens at novel length that is the true power of short fiction. But some stories have to stand out for any reader. For me they were:
I’m very excited to share, at John DeNardo’s invitation, the genesis of Raygun Chronicles: Space Opera For A New Age. My latest project as an anthologist (provided our Kickstarter succeeds), it’s an anthology of new and reprint space opera stories, contemporary but with a classic bent. For many SFF fans, space opera is part of what made them fall in love with speculative fiction. Such was certainly the case for me. I grew up watching Star Trek reruns every night before dinner and then Star Wars hit theatres and I was in love with the possibilities of storytelling. While I shunned the cheesy Dr. Who, I loved Space: 1999, Battlestar Galactica, Buck Rogers in the 25th Century, and movies that followed like The Black Hole, the animated Hobbit, and so on.
Michael Damian Thomas is the Managing Editor of the Hugo Award-nominated Apex Magazine and an Associate Editor at Mad Norwegian Press, where he’s worked on numerous books including the Hugo Award-winning Chicks Dig Time Lords (edited by Lynne M. Thomas and Tara O’Shea). He is currently co-editing the forthcoming Queers Dig Time Lords with Sigrid Ellis.
What is a Speculative Nightclub Anthology Anyway?
Like many things in my life, this anthology idea came from goofing around on Twitter. (Who says we’re all there to avoid work?)
John Klima and I can get pretty punchy at night on Twitter. We were basking in the post-Worldcon feelings and missing all of our SF/F friends, when John suggested a “glitter party” at LoneStarCon. I didn’t know what a glitter party was (nor did he), but for some reason it made me think of glow roller skating.
John Joseph Adams has posted the table of contents for his new themed anthology The Mad Scientist’s Guide to World Domination.:
Here’s the book description:
From Victor Frankenstein to Lex Luthor, from Dr. Moreau to Dr. Doom, readers have long been fascinated by insane plans for world domination and the madmen who devise them. Typically, we see these villains through the eyes of good guys. This anthology, however, explores the world of mad scientists and evil geniuses—from their own wonderfully twisted point of view.
An all-star roster of bestselling authors—including Diana Gabaldon, Daniel Wilson, Austin Grossman, Naomi Novik, and Seanan McGuire…twenty-two great storytellers all told—have produced a fabulous assortment of stories guaranteed to provide readers with hour after hour of high-octane entertainment born of the most megalomaniacal mayhem imaginable.
Everybody loves villains. They’re bad; they always stir the pot; they’re much more fun than the good guys, even if we want to see the good guys win. Their fiendish schemes, maniacal laughter, and limitless ambition are legendary, but what lies behind those crazy eyes and wicked grins? How—and why—do they commit these nefarious deeds? And why are they so set on taking over the world?
If you’ve ever asked yourself any of these questions, you’re in luck: It’s finally time for the madmen’s side of the story.
Here’s the table of contents…
Now this is a great idea for an anthology promotion: Have one of the book’s authors (in this case, David Levine) read his short story (in this case, “Letter to the Editor”) in character as the mad scientist Dr. Talon.
Not only do you get free fiction…you get a wonderful performance as well.
The anthology is The Mad Scientist’s Guide to World Domination edited by John Joseph Adams, a themed anthology with 22 stories.
Check it out after the break.