[GUEST POST] Gerry Canavan on Dystopia, Anti-Utopia, and the End of the World

Gerry Canavan is an assistant professor in the English department at Marquette University, teaching 20th and 21st century literature. His current research projects include Science Fiction and Totality and Modern Masters of Science Fiction: Octavia E. Butler, as well as co-editing The Cambridge Companion to American Science Fiction. His edited collection of critical essays, Green Planets: Ecology and Science Fiction, is out now from Wesleyan University Press. You can follow Gerry on Twitter as @GerryCanavan.

Dystopia, Anti-Utopia, and the End of the World

by Gerry Canavan

One of my great frustrations as a teacher of science fiction is the imprecision with which we use the word “dystopia.” We typically speak as if “dystopia” is the negation of utopia, but this is not quite right. Dystopian speculation more properly describes the opposite of utopia: utopia is the good place (eu-topia) that is not a place (ou-topia), while dystopia is the bad place (dys-topia). But the bad place of the dystopia still has something to teach us: it is the warning of the bad times that will come if we refuse to act, the reflection of our own bad times that we must work to change. This is why the typical plot of a dystopian narrative is actually pretty hopeful: the story of the heroic revolution that overthrows a corrupt regime, or the time traveler who changes history to prevent it, or the story of how our heroes might run fast enough and far enough to break out of the confinement of the nightmare city altogether and escape into the free and open country outside.
Read the rest of this entry

REVIEW: Bone Dance by Emma Bull

REVIEW SUMMARY: Bone Dance is a science fiction novel that maintains a sense of the spiritual.

MY RATING:

BRIEF SYNOPSIS: Psychic killers stalk the landscape of Earth after a nuclear apocalypse in which hoodoo and the tarot are the dominant belief system.

MY REVIEW:

PROS: Clever integration of the tarot; intriguing look at identity; fast pace.

CONS: Simple worldbuilding, significant philosophical bent; jolting chapter transitions.

BOTTOM LINE: Bone Dance is an appealing, well-written, and thoughtful story, but is best suited to readers of a philosophical nature or reading temperament.

Psychic killers stalk the landscape of Earth after a nuclear apocalypse in Emma Bull’s Hugo, Nebula, and World Fantasy Award nominated Bone Dance. Bull crafts a strange yet compelling story of identity and prophecy by basing the story on the ancient tradition of African folk magic known as hoodoo and the still widely practiced oracle of the tarot.

Read the rest of this entry