BRIEF SYNOPSIS: An anthology of eighteen fairy tale revisions, reinterpretations, and responses.
PROS: Shows the wide range of fairy tales with variety of excellent stories–from fairy tale adventure all the way to bleak fairy tale-style retelling of real-life tragedy; brief authors’ notes illuminate stories’ meaning, writing.
CONS: Some stories miss the mark; some stories depend on familiarity with the source fairy tale.
BOTTOM LINE: Solid anthology for fairy tale lovers and revisionists.
Fairy tales are rarely what we think they are. That’s the overall message I take from Paula Guran’s interesting, instructive, and thankfully spoiler-free introduction of Once Upon a Time: New Fairy Tales. As Guran notes, fairy tales are conservative lessons about the danger of transgression–unless they’re progressive and liberating tales of transgression. Fairy tales are misogynistic tales of witches and virgins–unless they’re feminist stories of wise women and the discovery of sex. Fairy tales are timeless–unless they’re tied to their particular time. And so on. Perhaps the one thing we can say for certain about fairy tales is that they contain some measure of magic, of wonder, of otherworldliness. And that’s a pretty loose foundation on which to build a genre.
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