Richard Ellis Preston, Jr. is a science fiction writer who loves the zeitgeist of steampunk. Although he grew up in both the United States and Canada he prefers to think of himself as British. He attended the University of Waterloo in Ontario, Canada, where he earned an Honors B.A. in English with a Minor in Anthropology. He has lived on Prince Edward Island, excavated a 400 year old Huron Indian skeleton and attended a sperm whale autopsy. Romulus Buckle and the City of the Founders is the first installment in his new steampunk series, The Chronicles of the Pneumatic Zeppelin. Richard has also written for film and television. He currently resides in California. Find him online at his webiste Richardellisprestonjr.com, on Twitter as @RichardEPreston, and Facebook.
By Richard Ellis Preston, Jr.
One might easily think that a titanic undertaking like Comic-Con San Diego, with its industry A-List Game of Thrones and Enders Game panels in the gargantuan Hall H is unfriendly to the little guy sleeping in the line on the sidewalk. But it is not. Yes, the big industry professionals and corporations dominate the landscape. It is difficult to focus in the exhibit halls, there is so much dazzle. You pretty much have to develop tunnel vision-lock your eyes onto the booth you want to visit and slowly navigate a shifting labyrinth of human walls to reach it. Traversing the Comic-Con floor is similar in sensation to being trapped in the Death Star trash compactor-but with about a thousand more people (many apparently unwashed) dropped in for company. Yet the original independent spirit still courses through the veins of the great, slouching, multicolored-ink-stained beast; there is a place for the little guy (or girl) if they choose to make it, because so much of what happens here is face-to-face-in person.
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