Convention Attention: NASFiC & DetCon1’s Committment to Diversity

I know the big news lately is the Hugo Awards (congrats to all the winners by the way!), and we all know it’s called Worldcon because it moves around the World. But what if you live in the US, and international travel isn’t an option for you? Don’t worry, we got you covered. When Worldcon is outside the United States, a lucky US city gets to hold NASFiC, our National Convention. In July of this year, NASFiC was held in Detroit Michigan, and some of the organizers were kind enough to chat me about what NASFiC is all about, their commitment towards diversity, and how to get involved in NASFiC and other conventions.

(Don’t live in the US? no problem. More and more countries have National Science Fiction Conventions that move from city to city within that country. Australia has NatCon, the UK has EasterCon, Finland has FinnCon, Poland has PolCon, New Zealand has their NatCon, Sweden has SweCon, and even though I’m sure I missed plenty, I bet you get the idea.)

The recent NASFiC that was held in Detroit was called DetCon1, and it boasted over 1400 attendees, with Guests of Honor Steven Barnes, Nnedi Okorafor, John Picacio, Helen Greiner, and the musicians Bill and Brenda Sutton, among others. The Golden Duck award for excellence in children’s speculative fiction was also presented at DetCon1 for Middle Grade and YA fiction. Wow, that’s a lot going on, isn’t it? Shall we get to the roundtable with Anne K. Gray (Diversity Facilitator), Tammy Coxen (Con Chair), Christine Humphrey (Volunteer Coordinator) and Anna O’Connell (Volunteer Co-Coordinator)? Yes, lets!

Andrea Johnson: DetCon1 was a NASFiC. What’s NASFiC, when does it occur, and how is the location decided?

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In episode 247 of the SF Signal Podcast Patrick Hester, Carol Berg, Jim C. Hines, Chuck Wendig, and Amy Boggs, discuss Diversity in Genre Fiction.

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Convention Attention: Con or Bust

I’ve been having a lot of conversations lately on the importance of “Convention culture”, of how wonderful it is to have face-to-face conversations with fans, authors, editors, and people you’ve only interacted with on twitter or over e-mail.  I even started writing this month’s column on that topic. Something that always comes up in this type of conversation is that going to conventions isn’t cheap, but we make it happen anyway, because it’s important to us.  Through no planning on my part, these conversations tended to occur with people who are like me: they have enough disposable income to attend conventions, and they are Caucasian. It may be politically incorrect to say so, but the conventions I have been to have been pretty pale skinned.

Finances shouldn’t be a barrier. Being a minority at a convention shouldn’t be a barrier. If you are a fan, and convention culture is important to you, nothing should be a barrier. So instead of smugly talking about how great it is for me to be able to travel all over the place and attend Conventions and how I blend right in, I instead have for you an interview with Kate Nepveu, the organizer of Con or Bust, the organization that removes such barriers.  People, this is important.
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