David Lynch’s “Dune” Sweded

I’m not sure which is worse: David Lynch’s Dune or the fact that I could not look away from this sweded version of David Lynch’s Dune.

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When I saw David Lynch’s Dune in the theater (yes, I’m that old), I remember that the filmmakers were so worried that moviegoers wouldn’t understand what was going on, that they had theaters hand out crib sheets of many of the terms used in the film. When the film hit television, it was re-cut to include an extended opening – a painted montage sequence that was not approved by the director.

Here now, in all its painted glory, is that opening sequence.

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REVIEW SUMMARY: Space Opera for fans of Kevin J. Anderson and Brian Herbert’s Dune prequels, introducing a new universe with creatively inventive worlds, aliens, intergalactic travel, and an epic war to come.

BRIEF SYNOPSIS: A failed revolution against the tyrannical Constellation government places exiled leader, General Adolphus on a planet at the outer reaches of a new frontier, where geological instability has earned it the name, Hellhole.  General Adolphus proves more resilient than the Constellation’s Diadem presupposed, and with the help of a new alien species, prepares to free the galaxy from its tyrannical government.

MY RATING:

MY REVIEW:
PROS: Symbiotic nature of alien life creates interesting relationship with humans; sympathetic characters invest readers in epic war to come.
CONS: Telegraphed plot lacks surprises needed to exhilarate reader, including cliffhanger ending.
BOTTOM LINE: Nostalgic readers of Dune prequels will enjoy similar story telling style in Hellhole, but will be disappointed by a cliffhanger ending predicted hundreds of pages before.

Hellhole begins with an emotional conclusion to the revolution against the tyrannical Constellation government, which serves to create strong empathy for the main character, General Adolphus, and a starting point for the moral dilemma of sacrificing innocents as a means to an end.  What follows sets General Adolphus up as a leader on an outcast planet, Hellhole, and his discovery of ways to free a cast of sympathetic characters from various forms of oppression. The chaotic environment on Hellhole entertains while developing characters like his love interest, her daughter, and a heroic love interest for her.

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Author/Screenwriter Harlan Ellison and Film Critic David Ansen discuss their thoughts on David Lynch’s Dune, the 1984 adaptation of Frank Herbert’s novel. Taken from the “Impressions of Dune” documentary on the Dune DVD from Sanctuary Visual Entertainment.

[via SFFaudio]

SF Tidbits for 8/5/09

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