Stephanie Saulter writes what she likes to think is literary science fiction. Born in Jamaica, she studied at MIT and spent fifteen years in the United States before moving to the United Kingdom in 2003. She is the author of the ®Evolution trilogy; her first novel, Gemsigns, was published in the UK in 2013 and will be launched in the US in May 2014. Its sequel, Binary, will be released in the UK in April. Stephanie blogs unpredictably at stephaniesaulter.com and tweets only slightly more reliably as @scriptopus. She lives in London.

I Don’t Do Dystopia, But No One’s Noticed

by Stephanie Saulter

When my first novel, Gemsigns, was released in the UK a year ago, I was mostly delighted by the reception it got. Reviewers heaped praise on the book, calling it ‘smart’, ‘tightly controlled and paced’, ‘compelling’ and the like. But there was something else it was frequently called that I simply couldn’t understand.

It was called a dystopia.
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Anne Charnock‘s first novel A Calculated Life (47North) is one of seven nominated works for the Philip K. Dick Award 2013. It was originally self-published. Anne’s journalism has appeared in The Guardian, New Scientist, International Herald Tribune, and Geographical. She was educated at the University of East Anglia, where she studied environmental sciences, and at the Manchester School of Art. She travelled widely as a freelance foreign correspondent and spent a year overlanding through Egypt, Sudan and Kenya. In her fine art practice, she tried to answer the questions, What is it to be human? What is it to be a machine? Ultimately she decided to write fiction as another route to finding answers.

Dystopian Influences on the Philip K. Dick Nominated A CALCULATED LIFE

by Anne Charnock

Among the books I’ve read and films I’ve watched, I can pinpoint one dystopian encounter that set the course for much of my reading and writing life. I guess I was around 10 years old when I watched the film animation of George Orwell’s satirical story, Animal Farm. I doubt I knew the word ‘satire’ at the time but my child’s mind recognised this film as a story about bullying. And I was terrified!
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Into the Black: Reclaiming Dystopian Fiction

There’s not doubt about it: Dystopian fiction is a hot literary commodity. In fact, dystopian literature seems to have supplanted paranormal romance as the new “It” genre—bookshelves, both virtual and brick-and-mortar, are awash with sexy heroines who, despite total societal collapse, still managed to apply makeup. Yet, in this rush to realize Hunger Games levels of fame and fortune, publishers and their media brethren have sanitized the genre, stripping away the grit and existential horror that defines classic dystopia.
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SF Tidbits for 9/5/09

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