By JP Frantz
| Wednesday, May 9th, 2012 at 12:29 am
[Do you have an idea for a future Mind Meld? Let us know!]
Movies have had them for almost as long as there have been movies and now that books are going electronic, more books are getting them too. We’re talking about the increasing use of book trailers to generate interest. This week’s question for our panelists, suggested by an SF Signal reader, is:
Q: What do you think are the pros and cons of book trailers? Are they effective at promoting books?
Here’s what they said…
Mary Victoria has lived in seven countries and settled permanently in none. This is becoming problematic for customs officials trying to make sense of her passport. She has been at various times in her life a nanny, an animator and a writer of fantasy. You can find out more about her on www.maryvictoria.net
It seems as though every few months I hear about a miracle cure guaranteedto banish those midlist blues. If I just do ‘X’ (insert, ‘write a blog’, ‘make a website’, ‘self-publish’, ‘use twitter’, ‘do the convention/festival circuit’, etc.) my sales will take off. Suddenly I’ll be like Stephen King, complaining no one taxes me enough.
Sadly, while many of us tax-dodging authors do just that – blog regularly, front up for a website, tweet and share and make asses of ourselves at every book-related function we can get to – there’s no guarantee we’ll see a jump in sales as a result, especially with the whole publishing industry experiencing bad breath and an outbreak of pimples. Meanwhile, as we wait for the digital era to come of age, we should be in it for the love, the pundits say. The internet has made everyone a writer but Seth Godin tells us we can’t expect to earn a cent for love. We believe him because admitting otherwise might mean our books don’t please readers and no one cares.
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From New York Times bestselling, Hugo and Nebula award-winning authors Neal Stephenson and Greg Bear comes The Mongoliad Trilogy, the first installment in the Foreworld Saga, a collaborative epic (with Erik Bear, Joseph Brassey, E.D. deBirmingham, Cooper Moo, and Mark Teppo) unlike any other that will enthrall fans of fantasy, martial arts, and historical fiction.
Here’s the book description:
The first novel to be released in The Foreworld Saga, The Mongoliad: Book One, is an epic-within-an-epic, taking place in 13th century. In it, a small band of warriors and mystics raise their swords to save Europe from a bloodthirsty Mongol invasion. Inspired by their leader (an elder of an order of warrior monks), they embark on a perilous journey and uncover the history of hidden knowledge and conflict among powerful secret societies that had been shaping world events for millennia.
But the saga reaches the modern world via a circuitous route. In the late 19th century, Sir Richard F. Burton, an expert on exotic languages and historical swordsmanship, is approached by a mysterious group of English martial arts aficionados about translating a collection of long-lost manuscripts. Burton dies before his work is finished, and his efforts were thought lost until recently rediscovered by a team of amateur archaeologists in the ruins of a mansion in Trieste, Italy. From this collection of arcana, the incredible tale of The Mongoliad was recreated.
Full of high adventure, unforgettable characters, and unflinching battle scenes, The Mongoliad ignites a dangerous quest where willpower and blades are tested and the scope of world-building is redefined.
And here’s the trailer:
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