[Do you have an idea for a future Mind Meld? Let us know!]
In writing, point of View matters. So we asked a large handful of authors these questions:
Q: As you see it. What are the strengths and weaknesses, for character, worldbuilding and setting in using 1st or 3rd person (or even 2nd?) Omniscient or limited? And how about the time frame of the tense, past or present or even future?
What kinds of Point of view do you prefer to write in? What types of POV do you like to read?
has two novelettes up on Tor.com: an urban fantasy about a baby werewolf, “The Cage” and one from the cycle she mentioned above, called “Among the Silvering Herd”. In October, watch Tor for a novelette, Wild Things
, that ties into the world of her award winning novel Indigo Springs
and its sequel, Blue Magic
As a reader, I’m up for anything. Just put me into someone else’s head, or at the very least transport me to their world, and I’m happy. And if something off-beat like second person is done well, as it is in John Scalzi’s Redshirts, briefly, I’ll even cheer. I also love epistolary POV tales–my favorite is Jack Womack’s Random Acts of Senseless Violence, with its hard edges and amazing degeneration of its protagonist’s voice.
I write in past and present tense, mostly in first and a close third omniscient point of view. I’m daunted by omniscient; I don’t mind admitting it. I have the idea that I ‘should’ learn to master this one day and perhaps I will, but I haven’t had a project that’s right for it yet and I haven’t had the space or inclination to say “What kind of project would rock in full-bore, hard-core, omniscient POV?”
My current project is a cascade of third person POV tales, set on a world called Stormwrack. I get to head-hop a lot: I hope, soon, to write something through the eyes of one of this universe’s most challenging, slippery characters. I’m daunted by that, too, but looking forward to the challenge.
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