The Future Fire editors’ blog has posted the table of contents for the upcoming anthology We See a Different Frontier, an anthology of colonialism-themed speculative fiction, edited by Djibril al-Ayad and Fabio Fernandes:

  1. “The Arrangement of Their Parts” by Shweta Narayan
  2. “Pancho Villa’s Flying Circus” by Ernest Hogan
  3. “Them Ships” by Silvia Moreno-Garcia
  4. “Old Domes” by J.Y. Yang
  5. “A Bridge of Words” by Dinesh Rao
  6. “The Gambiarra Effect” by Fabio Fernandes *
  7. “Droplet” by Rahul Kanakia
  8. “Lotus” by Joyce Chng
  9. “Dark Continents” by Lavie Tidhar
  10. “A Heap of Broken Images” by Sunny Moraine
  11. “Fleet” by Sandra McDonald
  12. “Remembering Turinam” by Nalin A. Ratnayake
  13. “Vector” by Benjanun Sriduangkaew
  14. “I Stole the D.C.’s Eyeglass” by Sofia Samatar
  15. “Forests of the Night” by Gabriel Murray
  16. “What Really Happened in Ficandula” by Rochita Loenen-Ruiz

The book also includes a Preface by Aliette de Bodard, an Introduction by Fabio Fernandes and a Critical Afterword by Ekaterina Sedia.

[Do you have an idea for a future Mind Meld? Let us know!]

A lot of recent science fiction appears to take place on Earth, and only a minority of space-based science fiction taking place outside the solar system. Novels and stories involving travel to the stars and interstellar travel seems to be out-of-date or out-of-fashion, and even Hard SF treatments of interstellar travel seem as realistic as Star Wars.

We asked this week’s panelists:

Q: Is interstellar travel (and space empires, etc.) now considered Science Fantasy? What does that say for the state of the genre?

Here’s what they said…

Elizabeth Bear
Elizabeth Bear was born on the same day as Frodo and Bilbo Baggins, but in a different year. This, coupled with a childhood tendency to read the dictionary for fun, led her inevitably to penury, intransigence, the mispronunciation of common English words, and the writing of speculative fiction.

I think that like everything else, fads in science fiction run in cycles, and lately there’s been a big ol’ dystopian wave going on. But it’s not as if deep space science fiction, or SF featuring far-flung space civilizations isn’t still being written. Charlie Stross, Iain Banks, Dan Simmons, Greg Bear, Chris Moriarty, C.J. Cherryh–heck, I’ve written a couple of books dealing with far-flung space travel myself.

If you were to nudge the focus of the question over to whether near-future and near-earth SF has been getting more *awards* attention lately, I think you’d be more accurate.

But there are fads in criticism the same as everything else.

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MIND MELD: Our Favorite SF/F Movie and TV Soundtracks

[Do you have an idea for a future Mind Meld? Let us know!]

We’ve covered a lot of topics in our Mind Meld series, from books, to cover art and lots of stuff in between. But we haven’t touched on the topic of music. We attempt to fix that oversight with this week’s question. We asked our panelists:

Q: What are some of your favorite SF/F movie and TV soundtracks/scores?

Here’s what they said…

Andrew Liptak
Andrew Liptak is a freelance writer and science fiction fan, and writes regularly at Words in a Grain of Sand on speculative fiction and history, and has written for sites such as SF Signal, io9 and Tor.com. He currently holds a degree in History and a master’s degree in Military History from Norwich University, and resides in the green mountains of Vermont with a growing library of books.

There’s a couple of science fiction soundtracks that I listen to constantly, and they’ve held up well over the years:

Battlestar Galactica: Seasons 1-4 (Original Television Soundtrack), Bear McCreary: When the show first came out, I loved the unconventional nature of how everything was set up, from the ship all the way to the music used. The soundtrack is a stunning one, and very different from what’s typical in science fiction.

Contagion: Original Motion Picture Soundtrack, Cliff Martinez: This borders on the line between science fiction and thriller, but I’ll include it. I love Cliff’s music, and this entire soundtrack has an excellent opening theme, with a great sound throughout the rest of the album.
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