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While it is important to recognize women writers in genre, it is ultimately the characters in the stories and novels that we read that draw our imaginations. With that in mind, in what has been often seemingly a dominated field, strong female protagonists sometimes get short shrift. So let’s hear it for female heroes!
We asked this week’s panelists…
Here’s what they said…
I look for agency in any protagonist—for example, bucking macro- or micro-level subjugation either through subversion or direct rebellion. Many of the female characters I’ve loved over the years developed into strong protagonists by rejecting the dominant culture and finding alternate paths to personal fulfillment. Others have taken more direct routes toward claiming their agency, or have worked on behalf of large marginalized groups.
Onyesonwu is the eponymous protagonist of Nnedi Okorafor’s Who Fears Death–a woman born into a violent world, conceived of war rape. It’s no wonder, then, that her personality is less likeable and more powerful; that power is fueled by both anger and magic. Her decisions reflect her position as a biracial women in the midst of a genocidal war, and the effects of her violent conception ripple out through the entire novel. It’s through Onyesonwu’s strength that the book explores oppression and the inherent power of story.
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