Words and Pictures: Enter the Superheroes, in Gotham Central and All-Star Superman
Superheroes are going to feature in this column quite a bit over the next few installments. Not exclusively, but pretty regularly.
I could waffle on at length about the fascinating idiosyncrasies and peculiarities of the whole superhero sub-genre that’s essentially run in the US by Marvel and DC, but I’m not sure anyone else would find it half as fascinating as I do (although, honestly, it’s one of the most unusual systems for creating, publishing, distributing and selling fiction you could ever imagine). So for now here’s just one proposition that sets the scene for the two titles I thought I’d talk about today.
Quite a lot of the long-running superhero series display a couple of apparently contradictory characteristics that can be an obstacle for the objective, casual (i.e. non-‘fan’) reader. They revel in dense and new-reader-hostile continuity, the established canon of past stories that exists in their respective shared universes; yet they also play fast and loose with the narrative, psychological or physical plausibility and internal consistency that are staples of most other kinds of fiction. Sometimes, superhero comics require not so much the suspension of disbelief as its ritual sacrifice upon an altar dedicated to the gods of never-ending, bombastic soap opera.
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