Nick Mamatas is the author of several novels, including Love is the Law, The Last Weekend, and the forthcoming mystery novel I Am Providence. His short fiction has appeared in Asimov’s Science Fiction, Weird Tales, Tor.com, Best American Mystery Stories, and many other magazines and anthologies. A significant number of his short stories are Lovecraftian—in addition to the ones collected in The Nickronomicon, he has pieces forthcoming in the anthologies Letters to Lovecraft and Shadows Over Main Street. After that, Nick will probably be done.
by Nick Mamatas
Why would anyone write Lovecraftian fiction? is a question that goes unasked in these days of renewed attention for H. P. Lovecraft. Perennially popular within the field of speculative fiction, Lovecraft has been, over the last decade and a half, canonized. He’s been published by both the Library of America and Penguin Classics, and derivations are ubiquitous. Throw a few tentacles into a short story, or the final boss of a video game, and a significant fraction of Lovecraft fandom will materialize and consume. They’ll kibitz and complain, mind you, but with a mouthful of suckers. Writing about Cthulhu or cosmic horror generally is in essence like writing about sensual vampires, or generation starships that have been adrift so long that their inhabitants no longer realize that their home is an ark and not a planet-it’s a set of tropes. And here I am, with a collection of my own tropey and ropey Lovecraftian fictions, The Nickronomicon, just as the issue of H. P. Lovecraft’s racism and anti-Semitism are again coming to the fore.
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