Keir Dullea and Douglas Trumbull worked together on the 1968 Stanley Kubrick film 2001: A Space Odyssey as actor and Special Photographic Effects Supervisors, respectively. They would come together again 5 years later on a television show called The Starlost, which was created by Harlan Ellison. Ellison distanced himself from the production before the first episode even aired on Canadian TV…but there were 16 episodes anyway. Ben Bova served as science advisor.
Here’s the video of Dullea/Trumbull pitching the series…followed by all 16 episodes. Continue reading →
”Only connect,” E.M. Forster famously said, and Harlan Ellison was canny enough to make that the lifeblood of his achievement from the get-go.
New, fresh and different is tricky in the storytelling business, as rare as diamonds, but, as a born storyteller, Harlan made story brave, daring, surprising again, brought an edge of the gritty and the strange, the erudite and the street-smart, found ways to make words truly come alive again in an over-worded world.
From the watershed of the ’50s and ’60s when the world found its dynamic new identity, to a self-imitating, sadly all too derivative present, he has kept storytelling cool and hip, exhilarating, unexpected yet always vital, able to get under your skin and change your life.
And now we have it. ”The Top of the Volcano” is the collection we hoped would come along eventually, twenty-three of Harlan’s very best stories, award-winners every one, brought together in a single volume at last. There s the unforgettable power of ”’Repent, Harlequin!’ Said the Ticktockman,” ”The Whimper of Whipped Dogs” and ”Mefisto in Onyx,” the heart-rending pathos of ”Jeffty Is Five” and ”Paladin of the Lost Hour,” the chilling terror of ”I Have No Mouth, and I Must Scream,” the ingenuity and startling intimacy of ”Adrift Just Off the Islets of Langerhans…”
These stories are full of the light and life of someone with things worth saying and the skills to do it, presented in the book we had to have–not just a Best-of (though given what’s on offer it may just fall out that way) but in one easy-to-grab volume perfect for newbies, long-time fans and seasoned professionals alike to remind them just how it can be done.
Deadline is reporting that none other than J. Michael Straczynski has optioned Harlan Ellison’s 1965 science fiction classic short story “Repent, Harlequin! Said The Ticktock Man”.
The story — a winner of both the Hugo and Nebula Awards is reported to be one of the most reprinted stories ever — is about a future society that has become overly-punctual, trading freedom for conformance. Keeping people in line and on time is the infamous Ticktockman, who gets more than he bargained for when ordinary man Everett C. Marm disguises himself as the chaotic Harlequin and goes around causing disruption and disorder.
Science fiction fans know J. Michael Straczynski as the creative talent behind Babylon 5. His other recent film work includes World War Z and Thor. He has also written several short stories and three horror novels (Demon Night, Othersyde, and Tribulations) as well as the non-fiction book The Complete Book of Scriptwriting. Deadline reports that Straczynski sees Ellison’s cautionary tale as “especially relevant in a post-Arab Spring and Occupy Wall Street environment, or even Edward Snowden, in a story of a man who goes against the system and must pay the price for his actions”.
In case you need another reason to watch tonight’s episode of The Simpsons besides the tribute To Hayao Miyazaki, it features not one, but two (count ‘em) cameos of interest to genre fans. The first cameo is by comic book legend Stan Lee, who’s making his second Simpsons appearance. (The first one was 12 years ago!) The second cameo is none other than science fiction’s lovable curmudgeon, Harlan Ellison.
Here’s a sneak peek at their cameos as well as some behind-the-scenes interview footage.
Back in 1994, Tom Snyder interviewed Harlan Ellison on CNBC. Ellison was promoting his book Mind Fields, a book featuring paintings by the Polish artist Jacek Yerka and accompanying short stories by Ellison. Continue reading →
Twenty years after the death of Charles Beaumont in 1967, the sf/f radio program Hour 25 held a memorial episode for him. Here is the audio of Harlan Ellison, Richard Matheson, Roger Anker, and Charles’ son Chris Beaumont talking about Charles Beaumont.
Author/Screenwriter Harlan Ellison and Film Critic David Ansen discuss their thoughts on David Lynch’s Dune, the 1984 adaptation of Frank Herbert’s novel. Taken from the “Impressions of Dune” documentary on the Dune DVD from Sanctuary Visual Entertainment.
For this Book Cover Smackdown, we’re turning our attention to Harlan Ellison’s classic collection I Have No Mouth and I Must Scream. Your Mission (should you choose to accept it): Tell us which cover you like best and why.
Speaking of asking writers for favors, John Scalzi rants On The Asking of Favors From Established Writers: “It looks like it’s time to do a little more head-knocking regarding the life of a writer, so let’s just start knocking heads, shall we…” Jason Sanford responds: “And the word laughed and proclaimed, ‘It’s nothing personal, but that’s life. There are always going to be distractions, people you’d prefer not to deal with, and things you’d rather not do. If any of that bothers you, simply grow a spine and say no once in a while.'”
BRIEF SYNOPSIS: The rebellious Harlequin causes mischief in a society that is strictly punctual.
MY REVIEW: PROS: Engaging prose; interesting premise; a parable that’s effective 40 years after it was written. CONS: If I think of any, I’ll let you know. BOTTOM LINE: A classic short story that deserves its great reputation.
In 1965, Harlan Ellison sat down to write a story for submission to a writers’ workshop. The result after a mere 6 hours was “‘Repent, Harlequin!’ Said the Ticktockman”, a story that went on to win both the Hugo and Nebula Awards and is reported to be one of the most reprinted stories ever. Underwood Press published a nice-looking, 48-page commemorative anniversary edition in 1997 – aptly late considering the story’s premise – to celebrate the story’s initial publication. This hardback edition comes with some nice looking illustrations by Rick Berry. You know what? Forty two years later, the original story holds up remarkably well. Continue reading →