Frederik Peeters has received five nominations in the Best Book category at Angoulême (the so-called “Cannes of comics”) and in 2013 won the Best Series prize for the first two volumes of Aâma. He lives in Geneva, Switzerland.
Frederik was kind enough to answer a few of my questions about Aâma, artists and authors who have influenced him, the very personal graphic novel called Blue Pills that launched his career, and more!
Andrea Johnson: Congratulations on the recent publication of your newest graphic novel Aâma: The Invisible Throng. This is the second volume in the Aâma series, a futuristic science fiction story with high-tech body augmentations, a robot monkey, and a mysterious biorobotic experiment called “AAMA”. What else can you tell us about this story, and where it is going?
Frederik Peeters: I can’t tell you where the story is going like this, in an interview – otherwise there’s no point in spending years creating books. All I can tell you is that I had two main directions in mind when doing it: first, try to think about the relationship humanity has with the technology it’s creating, and second, the love story between a father and his daughter. All this wrapped within a big adventure story full of strange, intimate poetry. Continue reading →
Christa Faust is a successful horror and crime writer. Her novel Money Shot for Hard Case Crime won the Crimespree Award and was nominated for several others. She has written tie-ins to Friday the 13th, A Nightmare on Elm Street and the Twilight Zone amongst others. She lives in Los Angeles, California, and loves vintage shoes and noir cinema. Christa is the author of three Fringe tie-in novels for Titan Books: The Zodiac Paradox, The Burning Man and the newly released Sins of the Father.
Alvaro Zinos-Amaro: The Zodiac Paradox, the first of your three Fringe novels, is an exciting, suspenseful thriller that does a great job of establishing the early relationships between Walter Bishop, William Bell, and Nina Sharp. How much of a Fringe fan were you before WB and Titan books approached you to write these tie-ins?
Amy Herrick is a graduate of the Iowa Writers’ Workshop. Every morning, she and her dog take a long walk in Prospect Park looking for adventure. They’ve seen and heard many wondrous things there, some of which have served as inspiration for this story. The Time Fetch is her first book for young readers. Learn more at AmyHerrick.com.
Amy was kind enough to answer a few of my questions about how the The Time Fetch came into existence, her love of folklore, and what she’s working on next!
[Thanks to Algonquin Young Readers, we have three copies of The Time Fetch up for grabs — check the bottom of this post for details about the give away!]
ANDREA JOHNSON: Your brand new book is The Time Fetch. Can you tell us what the story is about?
AMY HERRICK:The Time Fetch is a modern-day winter solstice fairy tale. It also has some elements of mythology and science fiction which crashed the party without an invitation. Continue reading →
Australian author Yolanda Sfetsos can be described as a wife, mother, writer, bibliophile, dreamer, animal lover, and lover of supernatural and all thing horror related. She was kind enough to take some time out of her busy schedule to talk with me about her current science fiction romance series Recast, NaNoWriMo, how far e-publishing has come, and her other series. You can learn more about Yolanda by visiting her website, or following her on twitter as @YolandaSfetsos or Goodreads.
Let’s get to the interview!
AJ: You’re currently working on your Recast series, the first two of which (Wither and Clash) are being reprinted from Samhain publishing. Tell us a little about this series, and what types of plot lines readers can expect. From reading the synopses of the novels, I know my first question is “What’s a ‘recast'”?
Steve Rasnic Tem was born in Lee County Virginia in the heart of Appalachia. His latest novel Blood Kin (Solaris, March 2014), alternating between the 1930s and the present day, is a Southern Gothic/Horror blend of snake handling, ghosts, granny women, kudzu, and Melungeons. His previous novels are Deadfall Hotel (Solaris, 2012), The Man On The Ceiling (Wizards of the Coast Discoveries, 2008—written with Melanie Tem, an expansion of their novella), The Book of Days (Subterranean, 2002), Daughters (Grand Central, 2001-also written with Melanie Tem), and Excavation (Avon, 1987). Steve has also published over 400 short stories. His latest collection is this year’s Here With The Shadows, a selection of traditionally-inspired ghostly fiction from Ireland’s Swan River Press. Other recent collections include Ugly Behavior (New Pulp, 2012-noir fiction), Onion Songs (Chomu, 2013), Celestial Inventories (ChiZine, 2013), and Twember (NewCon, 2013-science fiction.) In 2015 PS Publishing will bring out his novella In the Lovecraft Museum. You can visit the Tem home on the web at www.m-s-tem.com.
[Alvaro Zinos-Amaro] To say you’ve been busy during the last few years would be an understatement. In 2012 you published the novel Deadfall Hotel and the short story collection Ugly Behavior; 2013 saw the appearance of no less than three more collections, Onion Songs, Celestial Inventories, and Twember; and so far in 2014 you’ve published the novel Blood Kin, and another collection, Here with the Shadows. What are the secrets to being so productive? Anything in particular spur this recent burst of publications? Continue reading →
You already know who New York Times bestselling author Greg Cox is, but you might not know it. If you’ve read the novelization of the recent Daredevil, Man of Steel, Godzilla, Ghostrider or Underworld films, you’ve read a Greg Cox novel. Beyond those, he’s written in the Batman, Buffy The Vampire Slayer, Iron Man, Xena, Terminator, X-Men, among other universes, and over 14 Star Trek novels. Greg is an expert, he’s been doing this for over twenty years! And he was kind enough to answer a few of my questions about his newest novelization of the recent Godzilla movie, the movie tie-in industry, and more!
Let’s get to the interview!
Andrea Johnson: About a week after reading your novelization of Godzilla, I went and saw the movie. Your novelization expanded many portions of the film, including extra introductory material, and further development of side characters. When writing a novelization, how do you know what areas you can expand on, and when to “stick to the script”?
Greg Cox: In general, the studios prefer that you stick to the script in terms of the overall plot and dialogue, but there’s often room to flesh out the characters and fill in more of their backgrounds, especially with the supporting characters who might not get as much screen time and development as the leads. On Godzilla, I also had the advantage of seeing early drafts of the scripts, including scenes that were cut or shortened in the final movie.
Lavie Tidhar‘s most recent novels are The Violent Century (published in the US next year by Thomas Dunne Books) and A Man Lies Dreaming (published in October in the UK from Hodder & Stoughton). He won the World Fantasy, British Fantasy and BSFA Awards. Lavie ran the World SF Blog for four years and is the editor of The Apex Book of World SF series of international speculative short fiction, of which Volume 3 just came out. Originally from Israel, he currently lives in London.
Lavie Tidhar: It’s a good question – to me, in a way, the three volumes present one continuous project, a single work – a snapshot of international speculative fiction in the last decade or so. That is, my goal was and remains to read widely, to select stories that I liked and that I wanted to share, without any story standing for some half-mythical “representation” of an entire culture or language. They’re individual stories by individual writers from all around the world, and some engage directly with specific cultural questions and some don’t feel the need to do that. If they do constitute an argument at all, it is exactly that, that you can’t narrow down fiction – genre or otherwise – you can’t reduce it to generalities.
Saying all that, it’s been a lot easier since I started editing the series in 2008 or so. One obvious difference in Volume 3 is that the stories are predominantly by women writers – who I think are very much leading the field in short fiction now. The other is that I had more access to more sources, and I’d single out the anthology Afro SF as filling a particularly important niche in that regard. In fact there’s a great range of sources included here.
Other than that, Volume 2 had a lot of shorter stories – here I wanted the freedom to reprint longer works, such as Benjanun Sriduangkaew’s “Courtship in the Country of Machine-Gods”, which opens the book, and is a remarkable debut.
Samit Basu is a writer of books, films and comics. His first novel, The Simoqin Prophecies, published by Penguin India in 2003, when Samit was 23, was the first book in the bestselling Gameworld Trilogy and marked the beginning of Indian English fantasy writing.
Samit’s other novels include Turbulence, Resistance, Stoob, and Terror on the Titanic. Turbulence was published in the UK in 2012 and in the US in 2013 to rave reviews. It won Wired‘s Goldenbot Award as one of the books of 2012 and was superheronovels.com’s Book of the Year for 2013. All five of Basu’s novels have been Indian bestsellers.
Samit was born in Calcutta, educated in Calcutta and London, and currently divides his time between Delhi and Mumbai. He can be found on Twitter, @samitbasu, and at samitbasu.com.
Samit was kind enough to answer a few of my questions about his new novels, being a trendsetter within Indian publishing, and more!
Writer Dave Elliott is a constant innovator in the world of comics, with a long career as a writer, artist, editor, publisher and IP developer. He was kind enough to answer a few of my questions about the development of his newest creation The Weirding Willows, the DeviantArt community, changes he has seen in the comics industry over the years, and more!
James Morrow is the author of the World Fantasy Award-winning novel Towing Jehovah, the Nebula Award-winning novella Shambling Twards Hiroshima, and the New York Times Notable Book Blameless in Abaddon. His recent novels include the Last Witchfinder, hailed by the Washington Post as “literary magic”, and The Philosopher’s Apprentice, which received a rave review from Entertainment Weekly. Morrow lives in State College, Pennsylvania.
After reading Morrow’s newest novella, The Madonna and The Starship, I was brimming with questions for him! Read on, as we discuss the evolution of the new novella, how Science Fiction finds a balance between logical positivism and theism, home movies, The Lord Of The Rings lesson plans, his soon to be released Darwin epic, and more!
Andrea Johnson: The Madonna and the Starship deals with themes you’ve touched on before: organized religion, humanism, atheism, and satire thereof. I’d like to know what made you decide to set this newest novel in the 1950s and give it a pulpy scifi twist?
James Morrow: I imagine I’ll go to my grave obsessed with embarrassingly large philosophical questions, conducting the discussion simultaneously in my head and on the printed page. It’s all so mysterious, this business of being a person with a private consciousness. None of the respectable answers satisfy me.
Greg Egan was born in 1961. Since the early ’80s he has published twelve novels and more than fifty short stories, winning the Hugo Award for his novella “Oceanic” and the John W. Campbell Memorial Award for his novel Permutation City. He lives in Perth, Australia.
Greg took a few minutes to chat with me about his recently completed Orthogonal trilogy, how easy and fun it is to mess with the laws of physics, e-book bells and whistles, Karen Burnham’s book on his works, and more. Famous for his hard science fiction, he has supplemented many of his works with additional material that is available on his website.
Let’s get to the interview!
Q: The world of the Orthogonal trilogy followed different laws of the universe that we do. For example, for Yalda and everyone on her planet, the speed of light isn’t a constant. What kind of research did you do to make sure the changed laws and new math would be consistent as the story progressed?
Tessa Gratton didn’t grow up to be a necromantic wizard resurrecting dinosaur bones into animated skeletons as she expected, but she has become a fantasy author, and after a childhood spent around the world, settled in the midwest. She’s the author of four novels, including the forthcoming The Strange Maid, second in her United States of Asgard series. Tessa was kind enough to answer some questions about her and her work.
PW: Tell me about Tessa Gratton.
TG: I’m a quadruple Scorpio, Navy brat, prairie girl, feminist (or as my dad used to say before I got a degree in it, a Pinko Liberal). Does that about cover it? My fourth novel comes out this June, and all my books so far have been YA fantasies from Random House Children’s Books. I love tumblr and twitter but am extremely glad they didn’t exist when I was in high school. Continue reading →
One of the reasons I enjoy writing this column is that I hope someone who is reading it, who has never been to a convention before will decide to go to one, be it a fan run scifi and fantasy convention, a writers conference, a large scale trade show (like BEA), a ComicCon, or any other kind of genre and/or fandom convention.
Everyone has to start somewhere, and with that in mind I e-mailed a few friends and put a call out on twitter to get in touch with people who had attended their first convention within the last year.
Here’s the questions I asked:
Q: Tell us a little about the first convention you attended. Why did you choose this one to be your very first con? Did it meet your expectations, and if not, what changes would you like to see at future events? is this a convention you’d attend again?