In episode 179 of the SF Signal Podcast, Patrick Hester and Jaym Gates gather a second group of panelists to talk about the past, present and future of Cyberpunk.

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In episode 177 of the SF Signal Podcast, Patrick Hester and Jaym Gates gather panelists to talk about the past, present and future of Cyberpunk.

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MIND MELD: Great Books to Read During Winter

[Do you have an idea for a future Mind Meld? Let us know!]

This week, in time for the change of season, we asked about Winter:

In the Northern Hemisphere, the weather is turning colder, and the season of Winter is upon us. What are your favorite genre stories and novels that revolve around the coldest season. How do they make use of the season, and how do they evoke it?
This is what they had to say…
Gwenda Bond
Gwenda Bond’s debut novel, Blackwood, was a September 2012 launch title for Strange Chemistry, the new YA imprint of Angry Robot Books. Her next novel, The Woken Gods, will be released in July 2013. She is also a contributing writer for Publishers Weekly, regularly reviews for Locus, guest-edited a special YA issue of Subterranean Online, and has an MFA in Writing from the Vermont College of Fine Arts. She lives in a hundred-year-old house in Lexington, Kentucky, with her husband, author Christopher Rowe, and their menagerie. Visit her online at her website (www.gwendabond.com) or on twitter (@gwenda).

The first novel that leaps to mind is Geraldine McCaughrean’s The White Darkness. It’s a wonderfully bizarre tour de force about a girl, Sym, who is obsessed with all things Antarctic, including her imaginary boyfriend, the deceased Captain Lawrence “Titus” Oates. Her mad “uncle” takes her on a once in a lifetime trip there, which turns out to be a nightmare. He believes in the hollow Earth theory and that they will prove it’s true. Along the way, McCaughrean masterfully reveals more and more about Sym’s own past and her phony uncle. Sym’s voice is arresting despite how very in her own head she is—and it’s perhaps because of how that works with a backdrop that is spectacularly isolated and physically challenging. Some people may argue this isn’t a true fantasy, but I would debate them (citing spoilers), and regardless of which of us won I maintain it’d still be of interest to many genre readers because of the hollow Earth fringe science driving the plot.

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SF Signal Welcomes Jaym Gates!

We here at SF Signal HQ are pleased to announce that Jaym Gates has joined the ranks SF Signal’s ever-growing blog army!

As is our wont, we asked Jaym to say a little something about herself in the third person. Here’s what she said:

Jaym Gates wears a lot of hats: freelance genre publicist and editor by day, stage manager by night. In the chinks of unoccupied time, she writes, trains horses and collects books in the event of someday having time to read. She can be found on Twitter as @JaymGates, or online at jaymgates.com.

Welcome aboard, Jaym! We’re happy to have you on board. This would normally be the part of the Welcome Post where I blatantly hint at how free bagels go a long way around here. But, given your legendary organziational skills, I trust that the order has already been placed and bagels are on the way! Right? Right? ;)

Jaym will be reviewing books, beginnning today with this review of Tell Me a Dragon by Jackie Morris.

Meanwhile, please join me in welcoming Jaym to the team!

[Do you have an idea for a future Mind Meld? Let us know!]

One of the hallmarks of genre is the way we distinguish books by means of awards. So we asked this week’s panelists…

Q: What is the value of awards to the science fiction and fantasy community? How important are they to you?

Here’s what they said…

Jo Walton
Jo Walton is a Welsh-Canadian fantasy and science fiction writer and poet. She won the John W. Campbell Award for Best New Writer in 2002 and the World Fantasy award for her novel Tooth and Claw in 2004. Her novel Ha’penny was a co-winner of the 2008 Prometheus Award. Her novel Lifelode won the 2010 Mythopoeic Award. Her newest novel is Among Others, currently nominated for a 2011 Nebula Award. She also writes many things for Tor.com.

I think awards are valuable in two different ways. In the present tense, they can draw attention to books and writers that deserve more attention — as when China Mountain Zhang was nominated for the Hugo. The Philip K. Dick award manages to find something I like and hadn’t noticed pretty much every year. This is good for readers who pay attention to them, and it can be good for a writer’s career — if they get award notice a publisher might decide to stick with them even though they don’t have great sales.

Secondly, they’re valuable as part of the historical memory of the genre — the awards of a year give a kind of snapshot of what people at the time thought was good. They judgements of awards are not always the judgements of posterity — I certainly saw that when I did my Tor.com “Revisiting the Hugos” series and looked at every year from 1953 until 2000. But they remain interesting. And what’s interesting to me isn’t ever the winner, it’s the shortlist. One book is one datapoint, a shortlist is a spread. The question I asked was not “did the best book win” so much as “do those five books give a good picture of where the genre was in that year”.
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In episode 112 of the SF Signal Podcast, Patrick Hester and Jaym Gates (continuing the discussion from Part 1 and Part 2) sit down with a mega panel of authors to discuss modern Sword and Sorcery with the authors who are currently writing it.

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In episode 110 of the SF Signal Podcast, Patrick Hester and Jaym Gates (continuing the discussion from Part 1) sit down with a mega panel of authors, editors and artists to discuss Sword and Sorcery for the modern reader.

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In episode 108 of the SF Signal Podcast, Patrick Hester and Jaym Gates sit down with a mega panel of authors and editors to discuss Sword and Sorcery for the modern reader.

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