Jim C. Hines Strikes a Pose for Charity

Author and Hugo Award-winning fan writer Jim C. Hines, he of the Women and Fantasy Covers post, is at it again…only this time in the name of charity.

Jim has launched an annual fundraiser to benefit the Aicardi Syndrome Foundation. What he’s offering is brand new cover poses like the one above. The more that’s donated, the more he’ll do. John Scalzi is in on this and figures into the tiered poses.

Check out Jim’s post Cover Posing for a Good Cause for more information.

Best Fan Writer Hugo-winner Jim C. Hines nominated me to moderate the first panel I was ever on. He loves breaking in new writers. His Jig The Dragonslayer trilogy, now out in a Daw omnibus, is a humorous sword and sorcery tale about a goblin. He followed that with the four book Princess cycle which are fairy tales gone awry crossing Disney princesses with Charlie’s Angels. Published by Daw Books, his latest book Libriomancer starts a new trilogy, Magic Ex-Libris, about a librarian hunting a killer. Because he likes to stretch himself, being as he lives in Lansing, he set this series in Michigan’s Upper Peninsula. It’s an urban fantasy with a lot of humor, involving dryads, wizards, vampires, automatons and more. Jim’s short fiction has appeared in Realms of Fantasy, Fantasy, Andromeda Spaceways, Writers of the Future and several anthologies. He can be found online at Facebook, Twitter via his website at and his blog.

Bryan Thomas Schmidt talks to Jim C. Hines about his career and his exciting future projects.


SFFWRTCHT: Starting at the beginning, Where’d your interest in SFF come from?

Jim C. Hines: Ahem. Is this thing on? My interest in SF/F comes from the fact that swords and magic and spaceships and lightsabers are awesome.

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Jim C. Hines‘s fiction has appeared in more than forty magazines and anthologies. His first published fantasy novel was Goblin Quest, after which he went on to write the princess series, four books often described as a blend of Grimm’s Fairy Tales with Charlie’s Angels. Jim’s books have been translated into German, French, Czech, Polish, and Russian, thanks in no small part to his wonderful agent. In 2010, he signed a contract with DAW Books for a new current-day fantasy series. His latest novel is Libriomancer. Jim lives in mid-Michigan with his wife and children, who have always shown remarkable tolerance for his bizarre and obsessive writing habits.

Photo © Denise Leigh

Libriomancer: A Behind-the-Scenes Tour

by Jim C. Hines

Libriomancer is the story of Isaac Vainio, a librarian from Michigan’s Upper Peninsula with the ability to reach into books and create the items described on their pages: everything from disruptor pistols to Lucy’s magical healing potion from Narnia. He’s a member of Die Zwelf Portenære, a magical organization founded five centuries ago by Johannes Gutenberg, the man who invented libriomancy … a man who has now gone missing, and may be responsible for a string of supernatural murders.

Also, in chapter one, Isaac has to fight a trio of sparkling vampires.

This is the first book I’ve set in the real world—mostly real, at least—and part of the fun was working various Michigan settings into the book. Here’s a sampling of what you’ll find in the pages of Libriomancer.

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MIND MELD: Monarchies in Fantasy

UPDATED to include a response from Delia Sherman

[Do you have an idea for a future Mind Meld? Let us know!]

Very often, in secondary world fantasy novels, the default political setup is to have a Monarch of some sort, often one that acts in a seemingly autocratic manner. Many times, this Monarch rules by some sort of divine right or providence.

Q: Why are kingdoms with monarchs the default political setup in many secondary fantasy world novels? What are the advantages and disadvantages of such political structures? What are some exceptions to this?
Mark Charan Newton
Mark Charon Newton is the author of the Legends of the Red Sun series. He is also a Whisky addict. Find out more about him at Markcnewton.com

When people create worlds, we only really have our own world for reference, or from which to glean conscious and subconscious influences. Kingdoms, empires, monarchs – that’s all human history has pretty much known. Even today, we’re under the illusion we have democracy, but it’s much more wishy-washy than true ancient Athenian democracy, where power was genuinely more equally distributed, and more citizens played a role in the functioning of society. Today our monarchs and empires now are largely trade-based hegemonies, imperial campaigns given the spin of delivering peace through drone bombings. We are now subject to political and financial kings and queens (well, strictly speaking, in the UK we’re still subjects to the queen, but hey).

So in one sense, that’s life. That’s all we’ve ever known.

Emphasizing this point, many fantasy writers tend to look towards history, consciously or otherwise, for inspiration. Given that, aside from moments in the ancient world, there are very few examples where there are not kingdoms and empires, it’s inevitable.

There’s a wonderful season of Shakespeare on the BBC at the moment, which is hammering the point that I think still lingers today, and that’s a fascination with those who hold ultimate power. The pressures. The mental state. The sheer audacity to rule. Holding a position of god on earth. It is the biggest stage in a nation. So what does that do to an individual? What does that do to their mind? Can they ever be truly human? Such questions continue to inspire fantasy writers today. We’re very much interested in that big stage and what it means when ordinary people connect with it in some way.

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Jim C. Hines has posted the table of contents for his new collection Sister of the Hedge & Other Stories:

  1. “Sister Of The Hedge”
  2. “In The Line Of Duty”
  3. “Heart Of Ash”
  4. “Bloodlines”
  5. “Images Of Death”
  6. “Ours To Fight For”

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