It looks like the newest adaptation is coming from the pages of Neil Gaiman’s graphic novel, Sandman.
Comics Alliance is reporting that actor Joseph Gordon-Levitt announced that he is working with Neil Gaiman and David S. Goyer on a new Warner Bros. project based on Gaiman’s Sandman graphic novel which included artwork by Sam Kieth, Mike Dringenberg, Jill Thompson, Shawn McManus, Marc Hempel, Michael Zulli and Dave McKean. Gordon-Levitt himself will star as Dream (a.k.a. the Sandman) who rules over the world of dreams.
Gordon-Levitt’s use of the #Preludes hashtag would seem to indicate that the film is being just based not off the original issue of Sandman, but off of the Preludes & Nocturnes volume, which includes the first 8 issues.
By Derek | Friday, September 28th, 2012 at 10:00 am
REVIEW SUMMARY: Ambitious and often clever, Rian Johnson’s first foray into science fiction never quite pieces its philosophical content together with its thriller elements.
BRIEF SYNOPSIS: Time travel hitman Joe begins to have doubts about his chosen vocation when his next target is…himself.
PROS: Joseph Gordon-Levitt and Bruce Willis, as Joe and his older counterpoint, respectively; notable supporting cast, especially Jeff Daniels and Paul Dano; good blend of science fiction and noir in a well-rendered future; effective set pieces and intriguing use of time travel tropes.
CONS: Second act slows to a crawl to introduce philosophical elements that do not mesh well with its suspense narrative; important story details revealed late, giving the story uneven structure; unconvincing makeup to make Gordon-Levitt look like Willis; Emily Blunt’s bland Sara.
In the future, time travel exists but has been outlawed, so of course only outlaws have time travel. The Rainmaker, a mob boss headquartered in Shanghai who, based what audiences see of the year 2072, studied the methods of Pol Pot as well as Al Capone, sends those he wants taken care of thirty years into the past—the past being 2044—and into the sights of the loopers, hit men contracted specifically to eliminate said undesirables. (Though one wonders why the Rainmaker, who appears to wield enormous influence in this future overrun by gangs, would go to the trouble of using time travel to rid the world of his enemies, rather than simply eighty-sixing them in his own time period without consequence. Perhaps with absolute power comes absolute deniability.) The loopers obey only a few rules: when you’ve killed your mark and discover bars of gold on his body (based on the loopers’ Kansas City headquarters in 2044, women need not apply), it means your loop has been closed—you are, in essence, responsible for your own execution—and your contract is terminated. (Loopers never see the faces of those they kill because their targets wear hoods.) Another, and perhaps even more important condition, is that the looper must not let the target escape.