In the first few Podcast Spotlights, I covered the Escape Artists podcasts: Escape Pod, Pseudopod, and Podcastle. If those three are sister podcasts, Drabblecast is kind of the weird uncle of the family–sharing many of the fans and even some of the same staff as the EA casts, but not part of the same company.
This is part of a series of Q&As with the authors of The Apex Book of World SF 3 edited by Lavie Tidhar.
The stories in The Apex Book of World SF 3 run the gamut from science fiction, to fantasy, to horror. Some are translations (from German, Chinese, French, Spanish, and Swedish), and some were written in English. The authors come from Asia and Europe, Africa and Latin America. Their stories are all wondrous and wonderful, and showcase the vitality and diversity that can be found in the field. They are a conversation, by voices that should be heard.
1. Tell us a little about yourself.
I live in Malmö, Sweden, where I work as a creative writing pedagogue and text consultant (which means I do all sorts of stuff related to fiction, from translations to writing to order). In my spare time I’m a massive geek, mostly about gaming and Forteana. I started writing in English back in 2010 because it was extremely difficult to publish fantastic fiction in Sweden, short stories especially. These days I’ve kind of passed the point of no return and write almost exclusively in English.
The final installment of my Best Podcast Fiction of All Time List, is finally here, revealing the top ten. You can find the individual posts as they were posted #41-50 here, #31-40 here, #21-30 here, and #11-20 here. For those who just want to get to the Top Ten already I’ve listed that first. For ease of reference, I’ve also included the entire list of fifty at the bottom of the post so if you want to refer people to the list, you can just link here.
These are (my opinion of) what is the best of the best, the most epic of the most epic. Load them all up and have an awesome road trip, or ration them out over months of liistening.
I would love if other fiction podcast fans would comment here and say what their own favorites are and why.
[Do you have an idea for a future Mind Meld? Let us know!]
Everyone wants to be a anthologist, right? So we asked our panelists to put on their editor’s hats and create their very own anthology.
Q: What would your dream genre anthology be?
I enjoy following debates both large and small about the vitality or exhaustion of genre fiction; they can tell you a lot about how literature is received and related to by readers. Muses know I love a good debate about the death of SF or the power of fantastic literature, but this week I want to engage with stories rather than polemical positions. I’ve been reading a lot of short fiction collections in the fantastic vein recently and what I’ve found in them is a vitality and pushing of boundaries that is, for me, what makes fantastic fiction exciting and intriguing. What these collections demonstrate is that that fantastika, in the broadest sense, is still fertile ground for wonderful, challenging stories.
Swedish Author Karin Tidbeck has a new collection out called Jagannath. Comprised of thirteen stories, an introduction by Elizabeth Hand, and the author’s afterword, Jagannath has been receiving some impressive endorsements and promises to be a rewarding read.
Now comes word that one of the stories in the collection (“Who is Arvid Pekon?”) had been made into a short film by Patrik Eriksson.
Press release and movie stills after the jump.