A.C. Wise is the author of numerous short stories appearing in print and online in publications such as Clarkesworld, Apex, Lightspeed, and the Best Horror of the Year Vol. 4. In addition to her fiction, she co-edits Unlikely Story, an online magazine publishing three issues of fiction per year with various unlikely themes. Follow her on twitter as @ac_wise.
Why are aristocratic forms of government so common in fantasy? Is it because so much fantasy is set in faux-medieval countries and polities, and so kings, dukes, countesses and their ilk are the expected and anticipated methods in which a country is going to be ruled? It is true that for much of human history, for a large proportion of the glove, large complex societies have tended toward a hierarchical social pyramid, often with a single figure, or a small group of figures, on top.
From a literary standpoint, though, a limited number of political actors offer enormous advantages for writers and their readers. A democracy or republic would mean a cavalcade of characters for the writer create and depict, not only as political actors, but simply as characters. Even a novel completely and utterly focused on the sausage-making of political decisions would be unreadable if the author had to detail 300 electors in the course of the plot. Attempts at simplification of republican politics in novels and stories usually mean collapsing factions and political alignments to a few key actors that can be explored–which returns us to a de facto aristocratic form of government. In other words, we return to Kingdom Politics and the limited number of characters that ultimately matter.
Katherine Addison‘s short fiction has been selected by The Year’s Best Fantasy and Horror and The Year’s Best Science Fiction. Her new novel, The Goblin Emperor, was just published by Tor. She lives near Madison, Wisconsin.
I write a lot of different things, but one of my first and deepest loves is the genre that sometimes gets called “epic fantasy” or “secondary-world fantasy”: stories that take place entirely in imaginary worlds. Unsurprisingly, I came to Tolkien early, I loved–and love–him deeply, and he is undeniably one of a handful of very profound influences on my writing. (Tolkien, Wolfe, and Kushner are the three fantasy writers I most want to be able to write like, which probably explains a great many things about my books.) I love the world he invented, and I strive in my own writing to give the same sense of depth that he does, the same intense sense of history. And if I could write travel narrative as well as he does…well…that would be shiny.