In episode 234 of the SF Signal Podcast Patrick Hester, Django Wexler, Cat Rambo, Jason Hough, and Kevin Hearne discuss how the popularity of science fiction and fantasy, varies based on the medium – and how they’ve flipped over time.
If you could get a new Wheel Of Time short by Robert Jordan and Brandon Sanderson, new stories from Shannara, Word/Void, Riyria, Demon Cycle, Vault of Heaven, Temeraire, Broken Empire, and more all in one collection, what would you say?
Well, if you haven’t heard of Shawn Speakman, perhaps you’ve heard of his website: The Signed Page where he makes available signed copies of new releases for fans who can’t make it to events where their favorite author appears in person. Or maybe you know him from Suvudu.com, the Random House speculative fiction blog where he’s a regular contributor or from the websites he runs for authors like Terry Brooks and Naomi Novik.
What you may not know is that Shawn suffers from Hodgkins lymphoma. Diagnosed in 2011 and without health insurance, his treatment has left him with thousands in medical bills. Faced with filing bankruptcy, Shawn sought another way out. A way he could make it through without dealing with the 10 year nightmare a filing would bring. Then his friend Terry Brooks offered him a short story Shawn could sell to help alleviate those bills and an idea came to his head. What if he did an anthology from some of the many author friends he’d made over the past few years from both Suvudu, The Signed Page and his other activities?
[Do you have an idea for a future Mind Meld? Let us know!]
Urban Fantasy remains as a strong and vibrant subgenre of Fantasy. Like any subgenres, over the last few years, new authors, new ideas and new motifs have often radically reshaped a genre once known for “supernaturals in the night” into a much broader category. We asked this week’s panelists:
This is what they had to say…
The problem with knowing where a genre is going starts with defining the genre itself. What exactly is “Urban Fantasy”? There’s always been a category of work in what was then just called “Science Fiction” that fits this bill, from Bradbury’s October Country stuff to Sturgeon and Leiber and many others, including myself and many contemporaries. (I’d love to know what my book War of the Flowers was if it wasn’t urban fantasy.) But these days it’s also a consumer category — that is, it’s meant to narrowcast to people who apparently like fantasy stories that don’t take place in the traditional epic-fantasy environments of imaginary pasts. At the moment that means lots of fairies, vampires, werewolves, and zombies, most of which used to be thought of as components of “Horror”. So it’s hard to say. The trendy stuff — hello, bloodsuckers! — will peak and dwindle, just like serial killer novels did, but there will always be stories that can rightly be called Urban Fantasy. So I suspect it’s not a question of whether the waves will still come in — they will — but what kind of surfers will be on them. Memes will rise and decay (mostly through incestuous overuse) but as long as people stay interested in what lies behind ordinary life, I suspect the genre, at least the part that is about storytelling, will stay strong.