MIND MELD: SF/F Writing Dream Teams

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SF/F has a long history of collaboration ranging from two authors teaming up to shared worlds, we could list dozens of books that are the products of collaboration. But not everyone has worked on a story in this manner. We asked our panelists this question:

Q: What ‘dream’ writing team-up would you like to see?

Here’s what they said…

Nancy Kress
Nancy Kress is the author of 26 books of SF, fantasy, and writing advice. Her fiction has won multiple Nebula and Hugo awards, a Sturgeon, and the John W. Campbell Memorial Award.

The dream writing team I’d like to see is Ursula LeGuin and Karen Joy Fowler. Both have graceful, eloquent styles and a deep feeling for the human condition: perspicacity tempered with compassion, but never sentimentality. In addition, they would bring the perspectives of two different generations. That would be a story that I would give anything to read.

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If you could get a new Wheel Of Time short by Robert Jordan and Brandon Sanderson, new stories from Shannara, Word/Void, Riyria, Demon Cycle, Vault of Heaven, Temeraire, Broken Empire, and more all in one collection, what would you say?

Well, if you haven’t heard of Shawn Speakman, perhaps you’ve heard of his website: The Signed Page where he makes available signed copies of new releases for fans who can’t make it to events where their favorite author appears in person. Or maybe you know him from Suvudu.com, the Random House speculative fiction blog where he’s a regular contributor or from the websites he runs for authors like Terry Brooks and Naomi Novik.

What you may not know is that Shawn suffers from Hodgkins lymphoma. Diagnosed in 2011 and without health insurance, his treatment has left him with thousands in medical bills. Faced with filing bankruptcy, Shawn sought another way out. A way he could make it through without dealing with the 10 year nightmare a filing would bring. Then his friend Terry Brooks offered him a short story Shawn could sell to help alleviate those bills and an idea came to his head. What if he did an anthology from some of the many author friends he’d made over the past few years from both Suvudu, The Signed Page and his other activities?

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I Wanna Be a Magician” is a song that the band Fiction recorded for The Great Magician King Song Contest, a contest based on the novel The Magicians by Lev Grossman.
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SF Tidbits for 9/3/09

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San Diego Comic-Con attracts between 125,000 to 140,000 attendees over a four-day weekend, whereas the World Science Fiction Convention draws anywhere from 4000 to 7000 attendees over a four-day weekend, depending on location. SDCC stays in one city and operates with a fairly stable staff structure from year to year, while Worldcon changes cities and staff lineups every year and is essentially a wholly volunteer, fan-organized effort. The two are almost impossible to compare, but we asked this week’s panelists:

Q: What are the lessons that Comic-Con and Worldcon can learn from the other? Is there in fact a generational migration of professionals and fans that are choosing to attend large, catch-all media cons like SDCC instead of Worldcon, and if so, why?

Read on to see the responses…

Diana Gill
Executive Editor Diana Gill runs Eos, the science fiction and fantasy imprint of William Morrow. She is the editor of New York Times bestselling authors Kim Harrison and Vicki Pettersson. Other authors with whom she has worked include Mario Acevedo, Jonathan Barnes, Trudi Canavan, Anne McCaffrey and Elizabeth Ann Scarborough, Mary Stewart, Karen Traviss, and Margaret Weis and Tracy Hickman.

For the first time this year, I went to the San Diego Comic-con instead of Worldcon. I’d never been to Comic-con before, and while I’d been warned, the scale is truly beyond belief and has to be seen to be believed, from the hordes waiting to enter, the lines for anything and everything, and the mass of people and exhibits to the sheer spectacle.

Unlike Worldcon, attendees are younger–primarily teens up to 40s-somethings, including numerous families–and of all races.

And the joy and energy and excitement of the attendees reminded me of the first con I ever went to-a tiny Star Trek con outside of Philly, simply because it was there-where everything was new and so exciting and cool. I’m not ashamed to say that I had an absolute blast-being a geek is truly celebrated and welcomed there, and every turn had something fabulous to look at or explore. In the first couple of hours I saw Adama from Battlestar Galactica, amazing (and horrifying costumes), and ran into several people and authors I didn’t expect to-tons of fun!

What can Worldcon learn from Comic-con? Ignoring budgets, which simply cannot be compared, having a fixed location, timeframe, and many of the same staff and volunteers each year means Comic-con can focus on attracting stars (of all sorts), building their presence in re publicity/exposure/attendance, and constantly improving the overall experience (for example, selling all of the attendance badges beforehand, thus shortening the entrance lines), rather than having to start from scratch every time. Further, Comiccon’s constant location and timeframe makes it much easier for attendees to plan (and budget) for, versus the constantly shifting Worldcon (which this year was in Montreal and next year is in Australia).

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SF Tidbits for 8/31/09

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SF Tidbits for 8/27/09

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SF Tidbits for 8/20/09

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SF Tidbits for 8/18/09

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SF Tidbits for 8/8/09

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