Tag Archives: Lisa Paitz Spindler

MIND MELD: How to Avoid The Suck Fairy of Re-Reads

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This week we asked our participants to talk about the perils of re-reading. Going back to a book read in one’s golden age of SF reading can be a fraught exercise. Characters we thought we wonderful can turn out to be wooden. Settings we thought diverse and open turn out to be monochromatic. Plots that enthralled us can seem facile. Books we enjoyed can be rife with questionable material. Writers whose work we loved can turn out to be terrible human beings.

Q: Let’s talk about Jo Walton’s “Suck fairy”. How do you find the process of re-reading a book? How does a re-read of a book change your initial bliss and happiness with the book? Do you have any strategies for avoiding disappointment? What books have managed to escape the suck fairy for you?

Here’s what they said…

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MIND MELD: Everything You Always Wanted to Know About Genre Series: Series vs. Standalones; Ones We Abandoned; Ones We Returned To

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We asked this week’s panelists about series fiction in genre.

Q: Everywhere you go in genre, series seem to predominate over single novels. How do you read a series differently as compared to singletons? Have you ever given up on a series, or returned to one after a long absence?

Here’s what they said…

Sally Qwill Janin
Sally ‘Qwill’ Janin is the founder and EIC of The Qwillery, a speculative fiction blog. She is a recovering attorney having practiced IP and telecommunications law for too long. She’s been reading genre fiction since her older brother hooked her on The Magazine of Fantasy and Science Fiction and H.P. Lovecraft when she was a pre-teen.

Ah series. As you point out, they are everywhere in genre. I do read the first book of a series differently than I read a standalone novel. I certainly have different expectations. For a standalone, the story must resolve major (and most minor) plot points and come to a satisfying conclusion. When I read the first novel of series, I don’t usually expect more than some minor issues to be resolved, maybe an occasional major issue. I expect the main characters (at least for that part of the series) to be introduced. I also expect all sorts of threads will be left dangling to spur me on to continue reading the series. I don’t even mind cliffhangers. I also expect world building and events that will move the series along. I even read Paranormal Romance series differently than other series in that there should be an HEA (Happily Ever After) or HEA for now along with world building. However, if the story is not interesting and I don’t care about the characters in a series, why should I continue to invest time into what may ultimately be horribly disappointing?
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MIND MELD: Our Favorite SF/F Movie and TV Soundtracks

[Do you have an idea for a future Mind Meld? Let us know!]

We’ve covered a lot of topics in our Mind Meld series, from books, to cover art and lots of stuff in between. But we haven’t touched on the topic of music. We attempt to fix that oversight with this week’s question. We asked our panelists:

Q: What are some of your favorite SF/F movie and TV soundtracks/scores?

Here’s what they said…

Andrew Liptak
Andrew Liptak is a freelance writer and science fiction fan, and writes regularly at Words in a Grain of Sand on speculative fiction and history, and has written for sites such as SF Signal, io9 and Tor.com. He currently holds a degree in History and a master’s degree in Military History from Norwich University, and resides in the green mountains of Vermont with a growing library of books.

There’s a couple of science fiction soundtracks that I listen to constantly, and they’ve held up well over the years:

Battlestar Galactica: Seasons 1-4 (Original Television Soundtrack), Bear McCreary: When the show first came out, I loved the unconventional nature of how everything was set up, from the ship all the way to the music used. The soundtrack is a stunning one, and very different from what’s typical in science fiction.

Contagion: Original Motion Picture Soundtrack, Cliff Martinez: This borders on the line between science fiction and thriller, but I’ll include it. I love Cliff’s music, and this entire soundtrack has an excellent opening theme, with a great sound throughout the rest of the album.
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