BRIEF SYNOPSIS: Beautiful Sorrows has no theme other than to showcase the range and skill of Mercedes M. Yardley. Her debut collection presents a rich assortment of short stories, flash fiction and micro fiction set in worlds that both resemble our own and remind of forgotten fairy tales left to their own devices.
PROS: Beautiful language that pairs with imaginative storylines; surreal, dream-like events; a general sense of unconventionality that works in favor of the narratives; emotionally charged scenes and strong characterization.
CONS: The flash and micro fiction pieces pale in comparison to the longer offerings, which make for an uneven reading experience
BOTTOM LINE: It’s a great debut. Beautiful Sorrows is subtle in some places, heartbreaking in others. Both surreal and painfully relatable in its familiarity. Mercedes M. Yardley sounds like no writer I’ve read until now and there’s a high chance she sounds like no one other than herself. That’s something to look forward to experiencing.
Beautiful Sorrows is a peculiar collection by a peculiar author with a peculiar voice and even more peculiar stories. That’s the best introduction I can manage and be concise as to what you can expect reading. This debut collection falls on the slimmer side, peppered with micro and flash fiction pieces serving as punctuation to the greater emotional narrative within Beautiful Sorrows. In his introduction, P. Gardner Goldsmith compares Yardley to a siren and rightfully so, but instead songs that fuel lust, Yardley sings songs to make hearts break.