Short Fiction Friday: Two Tasty Selections from Tor.com

REVIEW SUMMARY: A brief glance at two recent stories acquired for Tor.com by award-winning editor Ellen Datlow.

MY RATING:

MY REVIEW:
PROS: Tight, imaginative prose; interesting blend of science fiction and fantasy; myth and mystery skillfully knit together; meaningful artwork accompanies each story.
CONS: One story may be too enigmatic to satisfy all readers.
BOTTOM LINE: Editor Ellen Datlow has acquired a couple of winners for Tor.com, a feat she seems to pull off with some regularity. One story weaves together old myth and contemporary mystery in a way that will draw the reader in while delivering a chill that is not simply the result of its winter setting. The other is a mix of science fiction and fantasy which examines the idea of multiple realities in a highly creative fashion. This second story is quite enigmatic, and yet it won over this reader who is often a curmudgeon when it comes to that type of storytelling.

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[This week's topic comes from Lawrence Person]

Once a year, the Science Fiction Writers of America (SFWA) names a recipient of the Damon Knight Memorial Grand Master Award which is then presented at the annual Nebula Awards banquet. The next recipient (for 2009) is Joe Haldeman who joins an already-impressive list of authors.

We asked this week’s panelists:

Q: Who should be the next recipient of the Damon Knight Memorial Grand Master Award? Why?

Read on to see their replies…

Adam Roberts
Adam Roberts was born two-thirds of the way through the last century; he presently lives a little way west of London, England, with a beautiful wife and two small children. He is a writer with a day-job (professor at Royal Holloway, University of London). The first of these two employments has resulted in eight published sf novels, the most recent being Splinter (Solaris 2007) and Land of the Headless (Victor Gollancz 2007). The second of these has occasioned such critical studies as The Palgrave History of Science Fiction (2006).

I’m staggered that Joanna Russ has never received this particular recognition — she’s a giant of the genre, the author of some of the most important SF of the 20th-century. She hasn’t published much recently (illness has prevented her, I understand), but nevertheless. Russ for 2010, I say: and for 2011 Christopher Priest.

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