[Do you have an idea for a future Mind Meld? Let us know!]

Where did the time go? It’s hard to believe that 2014 is half over. With that in mind, I asked our panelists this question:

Q: What were your favorite science fiction and fantasy titles that were published during the first half of this year?

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[Do you have an idea for a future Mind Meld? Let us know!]

We asked this week’s panelists about series fiction in genre.

Q: Everywhere you go in genre, series seem to predominate over single novels. How do you read a series differently as compared to singletons? Have you ever given up on a series, or returned to one after a long absence?

Here’s what they said…

Sally Qwill Janin
Sally ‘Qwill’ Janin is the founder and EIC of The Qwillery, a speculative fiction blog. She is a recovering attorney having practiced IP and telecommunications law for too long. She’s been reading genre fiction since her older brother hooked her on The Magazine of Fantasy and Science Fiction and H.P. Lovecraft when she was a pre-teen.

Ah series. As you point out, they are everywhere in genre. I do read the first book of a series differently than I read a standalone novel. I certainly have different expectations. For a standalone, the story must resolve major (and most minor) plot points and come to a satisfying conclusion. When I read the first novel of series, I don’t usually expect more than some minor issues to be resolved, maybe an occasional major issue. I expect the main characters (at least for that part of the series) to be introduced. I also expect all sorts of threads will be left dangling to spur me on to continue reading the series. I don’t even mind cliffhangers. I also expect world building and events that will move the series along. I even read Paranormal Romance series differently than other series in that there should be an HEA (Happily Ever After) or HEA for now along with world building. However, if the story is not interesting and I don’t care about the characters in a series, why should I continue to invest time into what may ultimately be horribly disappointing?
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MIND MELD: The Best Genre Crossovers

Despite what someone might initially think, genre boundaries are blurry, allowing storytellers to mix-and-match (intentionally or not) different genres, thus producing a story with an altogether new flavor.

We asked this year’s panelists this question:

Q: What are some of your favorite genre crossovers?

Here’s what they said…

Angela Slatter
Angela Slatter writes speculative fiction. Her short stories have appeared in Dreaming Again, Strange Tales II, 2012, Lady Churchill’s Rosebud Wristlet and Shimmer. Her work has had Honourable Mentions in the Year’s Best Fantasy and Horror anthologies and has been shortlisted for an Aurealis Award three times. She blogs at AngelaSlatter.com

Favourite genre cross-overs…I’m very partial to forms that mix crime noire with horror, sci-fi or dark fantasy…Blade Runner (the film) is the obvious example of a crime – sci-fi crossover. A newer one is Jeff VanderMeer’s Finch, a crime-dark fantasy crossover made of win, and Miéville’s The City & The City – which is kind of even more an expectation-breaker than usual.

I’m also a fan of things that are just plain weird – Miéville’s Perdido Street Station, a mix of science and magic and horror. Kelly Link’s mingling of fantasy, magical realism and some really creepy horror (e.g. ‘Some Zombie Contingency Plans’) is always a winner. I’m also a fan of John Connolly’s Charlie Parker detective series as it mixes ideas and legends drawn from the Apocrypha with a crime storyline and the books work really well.

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