Tag Archives: Travis Heermann

The SF Signal Podcast (Episode 265): A Pre-MileHiCon 46 Panel with Carol Berg, Betsy Dornbusch, Travis Heermann and Josh Vogt

In episode 265 of the SF Signal Podcast Patrick Hester gathers Carol Berg, Betsy Dornbusch, Travis Heermann and Josh Vogt to discuss:

MileHiCon 46 past and present. Specifically:

  • About their MileHiCon experiences
  • What’s their favorite part of the con?
  • What’s their favorite MileHiCon memory/moment?
  • What they will be doing / what panels they’ll be on?
  • What they’re looking forward to?
  • Why they think our listeners should attend?

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The SF Signal Podcast (Episode 221): Travis Heermann and John Helfers Talk Cars, Cards and Carbines

In episode 221 of the SF Signal Podcast, Patrick Hester chats with Travis Heermann and John Helfers about their new kickstarter anthology Cars, Cards and Carbines.

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[GUEST POST] John Helfers on The Brave New World of Publishing

John Helfers is a freelance writer and editor based in Green Bay, Wisconsin. During his sixteen years working at the packaging company Tekno Books, he edited more than fifteen short story anthologies for DAW Books, Inc., and more than one hundred others for publishers in all genres. He also worked with well-known authors and co-editors such as Charlaine Harris, Mercedes Lackey, Margaret Weis, Jean Rabe, Robert Silverberg, and Kevin J. Anderson. John has also published more than forty short stories in anthologies such as If I Were An Evil Overlord, Time Twisters, and Places to Be, People to Kill. His media tie-in fiction has appeared in anthologies, game books, and novels for the Dragonlance®, Transformers®, BattleTech® and Shadowrun® universes. He’s written fiction and nonfiction, including a novel in the first authorized trilogy based on The Twilight Zone™ television series, the YA novel Tom Clancy’s Net Force Explorers™: Cloak and Dagger, the original fantasy novel Siege of Night and Fire, and a history of the United States Navy. Recent projects including overseeing the second Elemental Masters anthology with Mercedes Lackey, and working with Esther Friesner on the next Chicks in Chainmail anthology. In his spare time, he’s signs on to Kickstarter projects he believes in while trying to write several projects in the middle-grade and adult genres.

The Brave New World of Publishing, or How the Cars, Cards & Carbines anthology and Kickstarter project came about
Or, How the Cars, CARDS & CARBINES Anthology and Kickstarter Project Came About

by John Helfers

This is my first foray into Kickstarter as a co-editor, indeed, as part of any project. For that, I can thank Travis Heermann, whom I’ve known for several years, ever since I acquired his novel Heart of the Ronin for Five Star’s Science Fiction and Fantasy line, and have enjoyed his work ever since.

I’ve also had a front-row seat to the changes that have been happening in publishing over the past several years, from the rise of e-books and self-publishing to the various permutations and machinations large publishers have gone through in response. Unfortunately, there have been casualties in this brave new world, and one of them is anthologies.
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[GUEST POST] Travis Heermann on World Building in a Fantasy Novel

Travis Heermann has been a freelance writer since 1999. Publishing credits include dozens of magazine articles, role-playing game content for both table-top and online MMORPGs, short fiction. Travis’s latest novel, Rogues of the Black Fury, is now available at online booksellers, select bookstores, and libraries. He has also been putting the finishing touches on the second book in his Ronin Trilogy, Sword of the Ronin.

Rebuilding a Ronin’s World

World-building a historical fantasy novel is considerably different from a secondary world fantasy. Historical fantasy has a few more rules, unless you want to venture into alternate history or steampunk. Writers are free to play around with the fantasy elements, but to still call the story ‘historical’ means adhering known historical events and creating a compelling narrative around those events. But that is not a limitation; real historical events are often crazier and more dramatic than anything a fiction writer can conceive.

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