Tube Bits for 01/17/2008

  • This one is for John: In October 2007, Jon Lachonis of Buddy TV scored an exclusive interview with Michael Emerson of LOST, while he and the rest of the crew were filiming an episode for season 4. I have to wonder what was being filmed that caused ABC to change the interview date at the last minute. The mind boggles. Still, some good stuff from Michael about Ben Linus and what we’ll see in season 4.
  • Speaking of LOST, TV Squad has a spoilerific look at what we can expect from season 4. I didn’t actually read them as I don’t want to be spoiled. Well, about LOST anyway. Proceed at your own peril.
  • Trek fans have something to get excited about, and it’s not the new movie. Star Trek: The Tour kicks off tomorrow, Jan. 18th, in Long Beach, California. It actually sounds kinda cool, with lots of Trek memorabilia on display and several interactive activities, all contained in a cozy, 50,000 sqft. display. Check the schedule to see when it will come near you.
  • To get ready for the Tour, you could do what William is doing over at My Star Trek Year. That’s right, he’s going to watch all 700 TV episodes, 11 movies and other various and sundry Trek items this year. As in 365 days. That’s at least two TV episodes a day, and considering some of these will be Enterprise episodes, I hope William comes out the other side all right.
  • Did you miss the debut of Terminator: The Sarah Connor Chronicles? Would you like to see it but aren’t willing to brave the internets or torrent networks? Never fear! Both iTunes and Amazon Unbox have posted the pilot for free. That’s right, for a paltry zero dollars you too can watch Summer Glau (makes me feel fine) kick robotic booty. And besides, free is a good price for anything.
  • What do you do if you’re a striking writer and looking for a way to get paid from Internet use of your material? Why you create your own online video company! Good luck finding that $30 million your looking for…
  • Submitted for your viewing pleasure. The trailer for Cinematic Titanic‘s new DVD, The Oozing Skull:

Filed under: Tube Bits

In our Mind Meld posts, we pose a single question to a slice of the sf/f community and, depending on the question, other folks as well.

This week, continuing the answers from part one, we asked a seemingly simple question about the definition of science fiction.

Everyone knows the “Old Guard” definitions of science fiction. As part of the “New Guard,” how would you define science fiction?
David Louis Edelman
David Louis Edelman‘s first novel, Infoquake, was called “the love child of Donald Trump and Vernor Vinge” by Barnes & Noble Explorations and “THE science fiction book of the year” by SFFWorld. It was also named Barnes & Noble’s SF Book of the Year in 2006 and nominated for the John W. Campbell Award for Best SF Novel. His next novel, MultiReal, will be released by Pyr in July 2006. Also watch for his short story “Mathralon” in The Solaris Book of New Science Fiction, Volume 2 this February.

You don’t need a lot of careful parsing to define what science fiction is. It’s very simple. Science fiction is fiction that has science as a central topic. It doesn’t necessarily have to be *the* central topic, but it’s *a* central topic.

This definition allows us to include lots of stuff that all SF geeks reflexively know to be science fiction (Neal Stephenson’s BAROQUE CYCLE) as well as lots of stuff that the mainstream refuses to recognize as science fiction (Audrey Niffenegger’s TIME TRAVELER’S WIFE). It even lets us include many works of alternate history (Philip K. Dick’s MAN IN THE HIGH CASTLE), insofar as those works take a rational, scientific approach to understanding the effects of that changed history. As an added side benefit, it lets us put some distance on works that only use science in the most tangential way (STAR WARS).

Unfortunately that definition also pulls in some things that most SF folk would rather not see in our camp (Michael Crichton’s JURASSIC PARK). But as far as I’m concerned, the more inclusive the definition the better. Anything to get serious readers to wander down the aisle in the bookstore with the life-size cutout of Mace Windu standing at the end of it. And hopefully even — gasp! — spend some money there.

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SF Tidbits for 1/16/08

Filed under: Tidbits

Read the Prologue of Matter by Iain Banks

Orbit has posted the prologue of Iain M. Banks’ Matter, the first Culture novel since 2000’s Look to Windward.

By most human standards the woman was tall, slim and well muscled. Her hair was short and straight and dark and her skin was the colour of pale agate. There was nobody of her specific kind within several thousand light years of where she sat, though if there had been they might have said that she was somewhere between being a young woman and one at the very start of middle age. They would, however, have thought she looked somewhat short and bulky. She was dressed in a pair of wide, loose-fitting pants and a thin, cool-looking jacket, both the same shade as the sand. She wore a wide black hat to shade her from the late morning sun, which showed as a harsh white point high in the cloudless, pale green sky. She raised a pair of very old and worn-looking binoculars to her night-dark eyes and looked out towards the point where the desert road met the horizon to the west. There was a folding table to her right holding a glass and a bottle of chilled water. A small backpack lay underneath. She reached out with her other hand and lifted the glass from the table, sipping at the water while still looking through the ancient field glasses.

‘They’re about an hour away,’ said the machine floating to her left. The machine looked like a scruffy metal suitcase. It moved a little in the air, rotating and tipping as though looking up at the seated woman. ‘And anyway,’ it continued, ‘you won’t see much at all with those museum pieces.’

Continue reading at Orbit’s site. Matter will be released in February.

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Another year, another awards season is upon us.

A recent series of nominee postings has reminded me that my reading choices lead to relatively few books that go on to become award winners. On the other hand, nominee listings seem to be littered with books that JP has read. (Authors beware: I am the Kiss of Death! If I read your book, I hope you have no aspirations of winning an award. :))

How good are you at predicting award-winners? Can you spot award-winning books when you read them? Are you surprised that some titles even make the ballot?

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Tube Bits For 01/15/2008

  • Yes, that’s Hiro over there on the right, with a bloody sword. How cool is that? If you want to know more, Heroes The Series has more information on the Heroes action figures.
  • The debut of The Sarah Conner Chronicles terminated the competition Sunday night, bringing in a 7.6 rating/18 share among adults 18-49. Can they keep it up? We’ll see.
  • In the Forest of Forgetting wonders if Lena Heady is too thin to play Sarah Connor? I don’t think so. But she doesn’t play ‘survivalist crazy’ like Linda Hamilton did.
  • If you’re jonesing for anything Galactica, then head on over to SciFi Channel and watch the new teaser promo, called “Future“. [via About.com.]
  • You knew it had to happen, and it finally did. Now science fiction fans have their own dating web site, Trek Passions. However, you don’t have to love only Trek to join, anything SF will do. How long until someone posing as an alien signs up?

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Summer Glau (Makes Me Feel Fine)

Despite my lackluster viewing experience with The Sarah Connor Chronicles, one bright spots remains: Summer Glau. Tough female characters are irresistible, and Summer plays them well. (See also: Serenity.)

Yet whenever I hear her name, I don’t think of the elfin beauty or the kick-@$$ karate moves…I think of that damn 70’s song from Seals and Crofts called “Summer Breeze“. So, to hopefully purge me of this bizarre association, I offer this:

Summer Glau (Makes Me Feel Fine)

(Sung to the tune of “Summer Breeze” by Seals and Crofts)

See the girl all curled up in the cryo

Not a stitch of clothing found in sight

Mal is ticked off wond’rin’ ’bout the Doctor

I don’t care, I’m feeling alright

CHORUS

Summer Glau, makes me feel fine

I can’t shake her image from my mind

Summer Glau, makes me feel fine

I can’t shake her image from my mind

See the tree branch lying on the cold deck

She picks it up, maybe thinks it’s fun

Snap us back to now, see the worried crew

Don’t look now but River’s got a gun

[CHORUS]

Followed by agents, their hands painted blue

They have no idea just what she can do

‘Cause when she sees what’s playing on TV

Fruity Oaty Bars, now it’s time to kick @$$

See the angel punching and a kickin’

Not really sure what she could do

She’s a weapon, a source of destruction

She’s a vital part of Malcolm’s crew

[CHORUS]

Filed under: FireflyMusic

SF Tidbits for 1/15/08

Filed under: Tidbits

I caught the premiere of Terminator: The Sarah Connor Chronicles. Unfortunately, I bought into the positive buzz I’ve heard around the InterTubes and set my expectations high. As a result, I was less than impressed.

Here’s why:

****** SPOILER WARNING ******

THE GOOD

  • Cool premise. The idea of sending robots back in time to either prevent or maintain some future history is cool. (Of course, we all know that once there exists the power to do so, you wouldn’t necessarily play out your strategies in such a liner fashion. Think Back to the Future II where there are multiple Marty MacFlys running around. But that’s beside the point.)
  • Consistency with the films (besides T3 – which I still haven’t seen – because this series serves as a franchise reboot that picks up after T2). They kept true to the rule that you can’t bring anything back with you.
  • It looks like they are setting up some story arcs. What is the Terminatrix’s secret model number and capabilities? How will they discover the creator of the new Skynet? It’s nice to see that every week will be more than just one chase scene after another. It would kind of be lame if every week they ended the show with Sarah, John and Terminatrix hitchhiking down the highway to a sad piano soundtrack. Oh wait – that was The Incredible Hulk
  • Decent special effects – plenty of explosions, torn Terminator flesh, bullets flying, and furniture-busting action.
  • I will never get tired of watching Summer Glau kick @$$.

THE BAD

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REVIEW: Debatable Space by Philip Palmer

REVIEW SUMMARY: Despite some flaws, I’m anxious to see where this series is headed.

MY RATING:

BRIEF SYNOPSIS: A band of space pirates kidnaps the daughter of the Evil Emperor.

MY REVIEW:

PROS: Cool science fictional ideas; well-written action scenes; a welcome variety of offbeat characters; reads fast.

CONS: The construction of the book shows through; extensive character background felt like padding; misplaced comedy at the beginning.

BOTTOM LINE: A good first novel and a promising start to a new series.

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SF Tidbits for 1/14/08

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Here are the results of the latest SF Signal poll.

QUESTION
Journeyman has been canceled…despite how much people seem to love the show. Did you watch Journeyman?

RESULTS

(127 total votes)

Comments this week:

“It is not a bad show, though that could be the voracious time travel fan in me speaking. It has its highlights (the aforementioned time traveling) and its lowlights (the love triangle), but it really did not deserve to be canceled.” – General X

“Option D: Never had the chance to watch it. “Didn’t even Bother”doesn’t quite cover it. Just didn’t have the chance.” – Jvstin

“It’s really too bad more people didn’t watch Journeyman. The first episode was a little lame, pilots often are, but it established a ‘grounding relationship’ for the protagonist with his wife — a necessary grounding relationship. The developing conspiracy, the rogue FBI agent, and the way the show displayed how affecting the past can affect you personally were excellent.” – Christian Johnson

“I had to go with the first answer; however, my sentiments regarding the entire series of shows is closer to the second. Seeing the pilot, IOW first episode, hooked me for this series, AND then the rest of the episodes shown never lived up to the pilot’s promise. They overused several story elements; for example, the lecherous cop brother of Dan Vassar, and can anyone explain why the wife and the brother were ever together to begin with (there was no character chemistry). Another was the character of the cop brother in general, acting like a general a**h*** all the time. One might conclude the writers had one good story in them, and blew that all in one episode and after that they had zilch.” – Allan Rosewarne

Be sure to visit our front page and vote in this week’s poll about Terminator: The Sarah Connor Chronicles?

Filed under: Polls

Sunday Cinema – Firefly: Shindig

Yee haw, we got us a shindig! In today’s episode, Mal and crew attend a fancy ball where Mal winds up in a duel to defend Inara’s honor. Have at thee!

Filed under: FireflyTV

Free Audiobook: Grey by Jon Armstrong

Recently we announced the nominees for the 2008 Philip K. Dick Award, honoring distinguished science fiction published in paperback original form in the United States.

How would you like a free audio version of one of them, read by the book’s author?

Head on over to podiobooks and you can download a free audiobook version of Grey by Jon Armstrong, a book originally publsihed by Night Shade Books in February 2007.

Not sure if you’ll like it? The link also lets you sample the first chapter.

[via Beam Me Up]

Filed under: Free Fiction

Clifford D. Simak on Science Fiction

The SciFi Catholic (D.G.D. Davidson) supplies a quote from Clifford D. Simak taken from the criticism book SF: The Other Side of Realism:

It has always seemed to me that if there were such a thing as “mainstream,” science fiction should belong, at least marginally, to it, for everyone who writes, whatever he may write, does so within the parameters of a literary tradition that has evolved, developed, and changed through the years. And the effort to disassociate fantasy (which is pretty much an undefinable term) and science fiction (which is perhaps as much so) arises from the intricate business of arguing how many angels can dance on the head of a pin. I don’t think that we should attempt to distinguish between the two, and that the writer, especially, should disregard any artificial line that exists between them. The best stories, it seems to me, are fantasies, whether they be based on solid scientific extrapolation, or on engineering concepts carried to an ultimate point, or on something else.

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TOC: The Year’s Best Science Fiction #25

Gardner Dozois has posted the table of contents for The Year’s Best Science Fiction: Twenty-Fifth Annual Collection:

  1. “Finisterra” by David Moles
  2. “Lighting Out” by Ken Macleod
  3. “The Ocean Is A Snowflake Four Billion Miles Away” by John Barnes
  4. “Saving Tiamaat” by Gweyneth Jones
  5. “Of Late I Dreamt Of Venus” by James Van Pelt
  6. “Verthandi’s Ring” by Ian Mcdonald
  7. “Sea Change” by Una Mccormack
  8. The Sky Is Large and the Earth Is Small” by Chris Roberson
  9. “Glory” by Greg Egan
  10. “Against The Current” by Robert Silverberg
  11. “Alien Archeology” by Neal Asher
  12. The Merchant and the Alchemist’s Gate” by Ted Chiang
  13. “Beyond The Wall” by Justin Stanchfield
  14. Kiosk” by Bruce Sterling
  15. “Last Contact” by Stephen Baxter
  16. “The Sledge-Maker’s Daughter” by Alastair Reynolds
  17. “Sanjeev and Robotwallah” by Ian Mcdonald
  18. “The Skysailor’s Tale” by Michael Swanwick
  19. “Of Love and Other Monsters” by Vandana Singh
  20. “Steve Fever” by Greg Egan
  21. “Hellfire at Twilight” by Kage Baker
  22. “The Immortals of Atlantis” by Brian Stableford
  23. “Nothing Personal” by Pat Cadigan
  24. Tideline” by Elizabeth Bear
  25. “The Accord” by Keith Brooke
  26. “Laws of Survival” by Nancy Kress
  27. “The Mists of Time” by Tom Purdom
  28. “Craters” by Kristine Kathryn Rusch
  29. “The Prophet of Flores” by Ted Kosmatka
  30. “Stray” by Benjamin Rosenbaum & David Ackert
  31. “Roxie” by Robert Reed
  32. “Dark Heaven” by Gregory Benford

[via John Joseph Adams]

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Elric: The Stealer of Souls

Back in August 2007, John Picacio completed the cover artwork for Elric: The Stealer of Souls, the first of six new trade paperbacks from Ballantine/Del Rey collecting Michael Moorcock’s classic Elric novels.

This week, John shares the final cover design and it looks sweet. These editions come with new introductions, illustrations, and notes. Later this week, John will be sharing some of the interior illustrations.

I may have to follow the suggestions of folks and (finally) read one to see if it becomes one of the few fantasy books I like.

Filed under: Books

SF Tidbits for 1/12/08

Filed under: Tidbits

Preliminary Nominees: 2007 Nebula Awards

The preliminary nominees for the 2007 Nebula Awards have been announced.

[Note: Book/Story title links go to FREE online versions. :)]

NOVELS

  • Vellum: The Book of All Hours by Hal Duncan [See SF Signal review]
  • Harry Potter and the Deathly Hallows by J.K. Rowling [See SF Signal review]
  • Odyssey by Jack McDevitt
  • Mainspring by Jay Lake [See SF Signal review]
  • The Accidental Time Machine by Joe Haldeman
  • Species Imperative #3: Regeneration by Julie E. Czerneda
  • The Yiddish Policemen’s Union by Michael Chabon
  • The New Moon’s Arms by Nalo Hopkinson
  • Blindsight by Peter Watts [See SF Signal review]
  • Rollback by Robert Sawyer
  • The Outback Stars by Sandra McDonald
  • Strange Robby by Selina Rosen
  • Ragamuffin by Tobias Buckell [See SF Signal review]

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Tube Bits For 01/12/2008

  • Both LOST and Pushing Daisies have been nominated for best directing in drama and comedy series by the Director’s Guild of America. If you haven’t seen Pushing Daisies, I highly recommend it. It’s certainly different from anything else on TV and it has a subtle, silly sense of humor that fits the tone perfectly. Plus, it has Jim Dale as the narrator, which is a huge plus. I could listen to him talk all day about the finer points of quantity surveying and still enjoy it.
  • Sy Fy Portal takes on those Star Trek fans who are upset that J.J. Abrams will be re-doing the look of the Enterprise. They point out, quite rightly, that the look has changed almost every time there was a new Trek program, so who should now be any different, even if it’s set in the past? It doesn’t bother my they are re-designing it, I just hope it looks better then the Enterprise from The Next Generation.
  • Are you one of those people who have turned to the Internet for your video entertainment since the writer’s strike occurred? If so, you’re not alone. YouTube is reporting an 18% increase in traffic since the strike, ironically providing anecdotal information for the writer’s that people will be obtaining their entertainment from the Internet more and more in the future, especially the younger demographic. The demographic that pulls in the big advertising dollars.
  • Think you have it hard now that the writer’s strike has cancelled your favorite show? Be glad your livelihood doesn’t depend Hollywood running smoothly. Showbuzz looks at the people who have been hit hard by the strike. As you might imagine, it’s the little guy being pummeled.
  • Science Fiction Weekly reviews The Sarah Connor Chronicles and gives it an ‘A’. I have yet to see a really negative review. Set those DVRs for this sundae!
  • Speaking of TSCC, did you know a tour bus is crossing the country promoting the series? If you’re lucky and the bus comes to your area, you’ll be able to appear in a scene of TSCC and the video will be uploaded to the site for you to share. Additionally, and even cooler, if you have Verizon, the video will be sent to your phone so you can have a copy of it to watch later. That’s a nice bit of cross promotion there.

Filed under: Tube Bits

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